Our Story
Native art is rarely taught in depth and even more rarely written about with care. When writing about Indigenous artists does appear in mainstream spaces, it is often rushed, poorly fact-checked and filtered through tourist expectations rather than Native voices. In 2013, artist, writer, and curator America Meredith (Cherokee Nation) launched First American Art Magazine to change that. Drawing on a lifetime immersed in the Native art world in Oklahoma and years studying and teaching Indigenous art history, Meredith created a publication that centers Native people, perspectives, and scholarship while covering the full spectrum of Indigenous creative work across the Americas.
From its earliest issues, FAAM set out to challenge stereotypes and expand the conversation about Native art beyond a handful of widely profiled artists. The magazine quickly grew into an international network of Indigenous writers, artists, and scholars, publishing quarterly issues, hosting symposia and workshops, and creating resources for artists and researchers. Built through collaboration, community knowledge, and a strong commitment to accuracy, FAAM continues to document the vibrant and evolving world of Indigenous art.
Curious how it all began? Read the full story in our Spring 2023 10th Anniversary Issue and explore a decade of Indigenous art writing, community building and creative exchange.
Our Team
Publishing Editor
America Meredith (Cherokee Nation) is an art writer, critic, visual artist, and independent curator whose community-based curatorial practice spans more than three decades. She earned her MFA degree from the San Francisco Art Institute and taught Native American art history at the Institute of American Indian Arts, Santa Fe Community College, and Cherokee Humanities Course. Based in Norman, Oklahoma, Meredith serves on the Native South journal advisory board.
Operations Manager
Jessica Poolaw Ma’ilo (Delaware/Kiowa/Samoan) is an educator with a background in journalism and community-based work. After completing her BA in Journalism at the University of Oklahoma (OU), she went into Indian Education and eventually returned to OU for her M.Ed in instructional leadership and academic curriculum. She has been in the public school classroom for more than 15 years and is excited to bring that knowledge to FAAM. In addition to her work with FAAM, she is a mom of four, travel enthusiast and founder and executive director of the Sparkle Strong Foundation.
Literary Editor
Matthew Ryan Smith, PhD, is the curator and head of collections at the Glenhyrst Art Gallery in Brantford, Ontario. Smith is a prolific writer and previously served as a sessional instructor of curatorial studies in the Department of Visual Studies, University of Toronto–Mississauga. | matthewryansmith.com
Board of Advisors
Miranda Belarde-Lewis, PhD (Zuni/Tlingit), is an assistant professor and the inaugural Jill and Joe McKinstry Endowed Faculty Fellow of Native North American Indigenous Knowledge at the University of Washington’s Information School. She’s also an independent curator who works with artists and tribal, state, federal and international institutions and organizations to promote Native artists and their work. | mirandabelardelewis.com
ᎧᏂᎦ ᎪᎳᎭ Roy Boney, Jr. (ᏣᎳᎩᎯ ᎠᏰᏟ Cherokee Nation) is an award winning filmmaker, artist, and writer. Roy’s work has been shown throughout the United States and internationally. He is based in Talequah, OK. | royboneyart.com
Emily Haozous, PhD, RN (Chiricahua Fort Sill Apache), is an assistant professor at the University of New Mexico College of Nursing. She received her nursing training and doctoral degree at Yale University. Passionate about American Indian health, she links Indigenous methodologies to intervention research in an effort to improve cancer outcomes in Native people. Dr. Haozous is the granddaughter of Allan Houser, one of the most celebrated American Indian artists of the 20th century and daughter of Bob Haozous, a renowned sculptor. | dremilyhaozous.com
Nadia Jackinsky, PhD (Alutiiq) | LinkedIn
Linda Lomahaftewa (Hopi/Choctaw) is a painter and printmaker who has exhibited and traveled throughout the world, including recent exhibitions in New Zealand, China, Russia, and England. She teaches studio arts at the Institute of American Indian Arts. She earned her MFA degree from the San Francisco Art Institute. | lomahaftewa.com
Tatiana Lomahaftewa-Singer (Hopi/Choctaw) | LinkedIn
Leah Mata Fragua (yak titʸu titʸu yak tiłhini Northern Chumash) is an adjunct professor in the Indigenous Liberal Studies department at the Institute of American Indian Arts. She travels between New Mexico and California, maintaining close ties to her tribal community and ancestral homelands. Leah’s work is included in many public and private collections, as well as internationally. Leah was honored with a Smithsonian Artist Research Fellowship in 2011. She was selected as a Master Artist recipient for the Alliance of California Traditional Arts (ACTA) in 2013 and, most recently, for the 2020 Barbra Dobkin Fellowship at the School of Advanced Research. Her education includes a B.A. in Anthropology, an M.A. in Cultural Sustainability from Goucher College, and an MFA from the Institute of American Indian Arts. | leahmata.com
Anya Montiel, PhD (Mestiza/Tohono O’odham descent) | anyamontiel.wordpress.com
Denise Neil, PhD (Delaware Tribe/Cherokee Nation) is the executive director of the 45th Infantry Division Museum in Oklahoma City. | LinkedIn
Neebinnaukzhik Southall (Rama Chippewa) meaning “Summer Evening” in the Ojibwe language, is two-spirit. They were born in Toronto, Ontario, Canada, and grew up in Miami, Florida, and Corvallis, Oregon. Since 2013 they have lived in Santa Fe, New Mexico, where they run Neebin Studios. Neebinnaukzhik is a graphic designer, illustrator, artist, photographer, writer, editor, and speaker who works with museums, arts and cultural organizations, magazines, and Indigenous clients.| neebin.com
India Young, PhD, decided, somewhere between her Alaskan home, her New York college education, and peace riots in La Paz, art best expresses activism. She returned to school to learn the practice of sharing her passions. Today, she is a doctoral candidate in art history at the University of New Mexico and an independent curator. Young researches print media, contemporary Indigenous arts, and activist art. Her curatorial pursuits focus on the spaces of interconnection between Indigenous arts and the larger world. | academia.edu
Regional Representatives
- Great Basin: Melissa Melero-Moose (Northern Paiute/Modoc)
- Great Plains: Jackie Sevier (Northern Arapaho)
- Northeast: Kelly Church (Gun Lake Pottawatomi/Ottawa/Ojibwe)
- Northwest: Nadia Jackinsky-Sethi, PhD (Alutiiq)
- Southeast: Michole Eldred (Catawba/Eastern Cherokee descent)
- Southwest: Holly Coonsis (Zuni) and RoseMary Diaz (Santa Clara Pueblo)
Support
- Contributing Editor: Stacy Pratt, PhD (Mvskoke) | LinkedIn
- Advertising Representative: Barbara Harjo | barbara@firstamerican.art
- Circulation Manager: Amy Bergseth, PhD | LinkedIn
- Social Media and ArtBeat Newsletter editor: Staci Golar (Welsh/Cornish-American) | LinkedIn
Contributing Writers
- RoseMary Diaz (Santa Clara Tewa)
- Andrea Ferber, PhD | LinkedIn
- Suzanne Newman Fricke, PhD | profile
- Christy Hanson (Diné) | LinkedIn
- Staci Golar | profile
- Paul Niemi | Instagram
- Nadia Jackinsky, PhD (Alutiiq) | The CIRI Foundation
- Ruthanne Johnson | ruthanneisaacjohnson.com
- Matthew Ryan Smith, PhD | LinkedIn
- Christopher W. Smith | LinkedIn
- Thollem | thollem.com
- Yvonne N. Tiger (Seminole/Cherokee/Muscogee) | LinkedIn