FAAM Index: A

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A

A’aninin:

  • Horse Capture, Joe, and heather ahtone. “The Continuum of Plains Pictorial Tradition.” FAAM 8 (Fall 2015): 34–39 | print | digital
  • Harjo, Suzan Shown. “George Horse Capture [Memorial].” FAAM 1 (Fall 2013): 77 | print | digital

Ace, Barry:

  • Smith, Matthew Ryan. “The Archive in Contemporary Indigenous Art.” FAAM 12 (Fall 2016): 26–33 | print | digital

Achomawi:

  • Melero, Melissa. “Judith Lowry: Mountain Maidu-Pit River-Washoe Painter.” FAAM 6 (Spring 2015): 50–55 | print | digital

Advice:

  • Corinne, Cain. “Everything You Wanted to Know about Pricing and Appraising Artwork, but Were Afraid to Ask.” 1 (Fall 2013): 74–75 | print | digital
  • Melero-Moose, Melissa. “How Not to Write an Article on Native Artists: Advice to Journalist X.” 1 (Fall 2013): 14 | print | digital

Agoyo, Pilar:

  • Diaz, RoseMary. “Pilar Agoyo: Ohkay Owingeh-Cochiti-Kewa Pueblo Fashion Designer.” 4 (Fall 2014): 26–31 | print | digital

Ah-Be-Hill, Jeri:

  • Greeves, Teri. “Jeri Ah-Be-Hill [Memorial].” FAAM 7 (Summer 2015): 88 | print | digital

ahtone, heather:

  • ahtone, heather. “Marie Watt: Seneca Installation Artist.” 13 (Winter 2016): 64–69 | print | digital
  • ahtone, heather. “Re-Riding History: From the Southern Plains to the Matanzas Bay. St. Augustine, FL: Crisp-Ellert Art Museum [Review].” 7 (Summer 2015): 70–72 | print | digital
  • Horse Capture, Joe, and heather ahtone. “The Continuum of Plains Pictorial Tradition.” 8 (Fall 2015): 34–39 | print  digital

Ahtoneharjo Growingthunder, Tahnee:

  • Ahtoneharjo Growingthunder, Tahnee. “Seven Directions.” 16 (Fall 2017): 16–17 | print | digital

Akers, Norman:

  • Merz-Edwards, Jean. “Norman Akers: Osage Painter and Printmaker.” 13 (Winter 2016): 52–57 | print | digital

Alaska:

  • Quinn, Steve. “Reaching for New Heights: Totem Poles from Southeastern Alaska.” 3 (Summer 2014): 59–63 | print | digital
  • Bunn-Marcuse, Kathryn. “Celebrations 2016 [Report].” 13 (Winter 2016): 92–93 | print | digital
  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and San Fe Indian Market.” 1 (Fall 2013): 40–45 | print | digital
  • Hoover, Anna. “Rolled and Reliefed. Anchorage: Anchorage Community Works [Review].” 6 (Spring 2015): 74–75 | print | digital
  • Jackinsky, Nadia. “Decolonizing Alaska.” 14 (Spring 2017): 70–71 | print | digital

Aleck, Ben:

  • Melero-Moose, Melissa. “Ben Aleck: Northern Paiute Painter and Draftsman.” 2 (Spring 2014): 14–17 | print | digital

Alfred, Marcus:

  • Meredith, America. “Marcus Alfred [Memorial].” 13 (Winter 2013): 105 | print | digital

Algonquin.

  • Smith, Matthew Ryan. “Nadia Myre: Algonquin Interdisciplinary Artist.” 6 (Spring 2015): 56–61 | print | digital

All My Relations Arts, Minneapolis:

  • Riddle, Mason. “On Fertile Ground: Native Artists in the Upper Midwest. Minneapolis: All My Relations Arts [Review].” 6 (Spring 2015): 75–76 | print | digital

Allen, Joe:

  • Melero, Melissa. “Tule Duck Decoys. Reno: Sheppard Galleries, University of Nevada, Reno [Review].” 10 (Spring 2016): 77 | print | digital

American Indian Art Magazine:

  • Bell, Gloria. “An Indisputable Source.” 10 (Spring 2016): 30–31 | print | digital

Amerman, Marcus:

  • Amerman, Marcus. “Rollie Grandbois [Memorial].” 13 (Winter 2016): 103 | print | digital
  • Diaz, RoseMary. “Marcus Amerman: Choctaw Beadwork Artist.” 15 (Summer 2017): 46–51 | print | digital

Anchorage Community Works:

  • Hoover, Anna. “Rolled and Reliefed. Anchorage: Anchorage Community Works [Review].” 6 (Spring 2015): 74–75 | print | digital

Anchorage Museum:

  • Dawley, Martina and Biddison, Dawn. “Neoglyphix Travels North: Anchorage Museum’s Urban Interventions.” 13 (Winter 2016): 44–48 | print | digital
  • Jackinsky-Sethi, Nadia. “Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living. Anchorage: The Anchorage Museum [Review].” 2 (Spring 2014): 60–62 | print | digital

Anderson, Jeffrey D.:

  • Meredith, America. “Arapaho Women’s Quillwork: Motion, Life, and Creativity [Review of book by Jeffrey D. Anderson].” 2 (Spring 2014) | print | digital

Apache:

  • Haozous, Emily. “Allan Houser: Reflections on My Grandfather.” 2 (Spring 2014): 36–39 | print | digital
  • Tiger, Yvonne N. “Beyond Geronimo: The Apache Experience [Review of book by Janet Cantley].” 1 (Fall 2013): 70–71 | print | digital

Appraising:

  • Corinne, Cain. “Everything You Wanted to Know about Pricing and Appraising Artwork, but Were Afraid to Ask.” 1 (Fall 2013): 74–75 | print | digital

Apsáalooke: see Crow.

Aquinnah Wampanoag: see Wampanoag.

Arapaho:

  • Greeves, Teri. “Ken Williams: Arapaho-Seneca Beadwork Artist.” 1 (Fall 2013): 34–39 | print | digital
  • Meredith, America. “Arapaho Women’s Quillwork: Motion, Life, and Creativity [Review of book by Jeffrey D. Anderson].” 2 (Spring 2014) | print | digital

Archambeau, Jacquie:

  • Archambeau, Jacquie. “Native Haute Couture [Review].” 8 (Fall 2015): 86 | print | digital

Archival Art:

  • Smith, Matthew Ryan. “The Archive in Contemporary Indigenous Art.” 12 (Fall 2016): 26–33 | print | digital

Archuleta, Bryon:

  • Gómez, Reid. “Pueblo Revolt [Fiction].” 0 (Spring 2013): 68–75 | digital

Argentina:

  • Cays, Rosa. “Luis Gonzalez Palma: Mestizo Photographer.” 10 (Spring 2016): 60–65 | print | digital

Armstrong, Leatrice A.:

  • Berlo, Janet Catherine. “Mary Wheelwright: Her Book [Review of book by Leatrice A. Armstrong].” 14 (Spring 2017): 78–79 | print | digital

Art Markets:

  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and San Fe Indian Market.” 1 (Fall 2013): 40–45 | print | digital
  • Meredith, America. “Santa Fe Indian Market: A History of Native Arts and the Marketplace [Review of book by Bruce Bernstein].” 0 (Spring 2013): 65–66 | digital

Art Mûr, Montreal:

  • Meier, Rhonda. “Storytelling Through Art: The Contemporary Native Art Biennial, 2nd Edition. Montreal: Art Mûr [Review].” 4 (Fall 2014): 75–76 | print | digital

Aronson, Geoffrey E.:

  • Aronson, Geoffrey E. “Hatsutsil Uchben.” 11 (Summer 2016): 40–45 | print | digital

Art Therapy:

  • Diaz, RoseMary. “Healing Through the Creative Process: Art Therapy in Indian Country.” 2 (Spring 2014): 44–51 | print | digital

Asenap, Jason:

  • Asenap, Jason. “As We See It. Albuquerque: 516 Arts.” 13 (Winter 2016): 76–77 | print | digital

Ash-Milby, Kathleen:

  • Logan Jr., Doyle. “Kay WalkingStick: An American Artist [Edited Kathleen Ash-Milby and David W. Penney].” 10 (Spring 2016): 82 | print | digital

Ashevak, Kenojuak:

  • Meredith, America. “Kenojuak Ashevak: Pioneering Inuk Artist Inspired Generations with Her Bold Style [Memorial].” 0 (Spring 2013): 77 | digital
  • Smith, Matthew Ryan. “Kenojuak Ashevak: In Memoriam. [Review].” 3 (Summer 2014): 66–67 | print | digital

Assu, Sonny:

  • Meredith, America. “Sonny Assu: Ligwilda’xw Interdisciplinary Artist.” 2 (Summer 2014): 16–21 | print | digital

Ataumbi, Keri:

  • Cook, Michele. “Keri Ataumbi: Kiowa-Comanche Jeweler and Painter.” 7 (Summer 2015): 44–49 | print | digital

Athabascan:

  • Norman, David Winfield. “Sonya Kelliher-Combs: Inupiaq-Athabascan Interdisciplinary Artist.” 14 (Spring 2017): 58–63 | print | digital

Augaitis, Dana:

  • Wright, Robin K, Augaitis, Dana, and Jim Harts, Eds. “Charles Edenshaw.” 2 (Spring 2014): 72 | print | digital

Australia:

  • Hanley, Andrea R. “Biennale of Sydney: All Our Relations [Review].” 0 (Spring 2013): 56–58 | digital