FAAM Index: A

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A

A Space Gallery

  • Smith, Matthew Ryan. “Lovesick Child. Toronto: A Space Gallery [Review].” FAAM no. 2 (Spring 2014): 66–67  | print | digital

A Tribe Called Red

  • Thollem. “Buffy Sainte-Marie, A Tribe Called Red, and Iskwé.” New York: Rumsey Playfield, Central Park [Report]. FAAM no. 17 (Winter 2017/18): 85 | print | digital

A’aninin

  • Horse Capture, Joe, and heather ahtone. “The Continuum of Plains Pictorial Tradition.” FAAM no. 8 (Fall 2015): 34–39 | print | digital
  • Harjo, Suzan Shown. “George Horse Capture [Memorial].” FAAM no. 1 (Fall 2013): 77 | print | digital

Ace, Barry

  • Smith, Matthew Ryan. “The Archive in Contemporary Indigenous Art.” FAAM no. 12 (Fall 2016): 26–33 | print | digital

Achomawi

  • Melero, Melissa. “Judith Lowry: Mountain Maidu-Pit River-Washoe Painter.” FAAM no. 6 (Spring 2015): 50–55 | print | digital
  • Meredith, America. “Dugan Aguilar [Memorial].” FAAM no. 21 (Winter 2018/19): 91 | print | digital

Activism

  • Southall, Neebinnaukzhik. “Exploring Native Graphic Design: Activism & Design.” FAAM no. 1 (Fall 2013): 12–13 | print | digital
  • Gomez, Reid. “Radmilla Cody: Navajo Singer and Activist” FAAM no. 2 (Spring 2014): 18–23 | print | digital

Advice

  • Corinne, Cain. “Everything You Wanted to Know about Pricing and Appraising Artwork, but Were Afraid to Ask.” FAAM no. 1 (Fall 2013): 74–75 | print | digital
  • Melero-Moose, Melissa. “How Not to Write an Article on Native Artists: Advice to Journalist X.” FAAM no. 1 (Fall 2013): 14 | print | digital
  • Ryker-Crawford, Jessie. “Art and Object Conservation: Caring for Featherwork.” FAAM no. 2 (Spring 2014): 74–75 | print | digital

Agoyo, Pilar

  • Diaz, RoseMary. “Pilar Agoyo: Ohkay Owingeh-Cochiti-Kewa Pueblo Fashion Designer.” FAAM no. 4 (Fall 2014): 26–31 | print | digital

Aguilar, Dugan

  • Meredith, America. “Dugan Aguilar [Memorial].” FAAM no. 21 (Winter 2018/19): 91 | printdigital

Aguilar, Linda

  • Bell, Gloria. “Linda Aguilar: Chumash Basket Maker.” FAAM no. 21 (Winter 2018/19): 46–51 | printdigital

Ah-Be-Hill, Jeri

  • Greeves, Teri. “Jeri Ah-Be-Hill [Memorial].” FAAM no. 7 (Summer 2015): 88 | print | digital

Ahlberg Yohe, Jill

  • Montano, Roshii, and Ahlberg Yohe, Jill. “Blanketing the Plains: Hanoolchaadi in Indian Country.” FAAM no. 14 (Spring 2016): 20–25 | print | digital

ahtone, heather

  • ahtone, heather. “Marie Watt: Seneca Installation Artist.” FAAM no. 13 (Winter 2016): 64–69 | print | digital
  • ahtone, heather. “Re-Riding History: From the Southern Plains to the Matanzas Bay. St. Augustine, FL: Crisp-Ellert Art Museum [Review].” FAAM no. 7 (Summer 2015): 70–72 | print | digital
  • ahtone, heather. “Resisting the Mission.” Carlisle, PA: Trout Gallery, Dickinson College [Review]. FAAM no. 21 (Winter 2018/19): 73–75 | printdigital
  • ahtone, heather. “Seven Directions.” FAAM no. 2 (Spring 2014): 11 | print | digital
  • Ferber, Andrea L. Crow’s Shadow Institute of the Arts at 25 [Review of book by heather ahtone, Rebecca J. Dobkins, and Prudence F. Roberts].” FAAM no. 19 (Summer 2018): 84 | printdigital
  • Horse Capture, Joe, and heather ahtone. “The Continuum of Plains Pictorial Tradition.” FAAM no. 8 (Fall 2015): 34–39 | printdigital

Ahtoneharjo-Growingthunder, Tahnee

  • Ahtoneharjo-Growingthunder, Tahnee. “Seven Directions: Tahnee Ahtoneharjo-Growingthunder.” FAAM no. 16 (Fall 2017): 16–17 | printdigital
  • Ahtoneharjo-Growingthunder, Tahnee. “Jay McGirt [Memorial].” FAAM no. 22 (Spring 2019): 103 | printdigital

Air, Land, Seed

  • Bell, Gloria. “Air, Land, Seed. Venice: University of Venice Ca’Foscari Palazzo Cosulich [Review].” FAAM no. 1 (Fall 2013): 68–69 | print | digital

Akers, Norman

  • Merz-Edwards, Jean. “Norman Akers: Osage Painter and Printmaker.” FAAM no. 13 (Winter 2016): 52–57 | print | digital

Akunnittinni: A Kinngait Family Portrait

  • Tyquiengco, Marina. “Akunnittinni: A Kinngait Family Portrait. New York: National Museum of the American Indian George Gustav Heye Center [Review].” FAAM no. 18 (Spring 2018): 77–78 | printdigital

Aiviq and Nanuq: Sea Horse and Sea Bear of the Arctic

  • Jackinsky, Nadia: “Aiviq and Nanuq: Sea Horse and Sea Bear of the Arctic. Anchorage: Anchorage Museum [Review].” FAAM no. 22 (Spring 2019): 80–81 | printdigital

Alaska Native PLACE (artist collective)

  • Shaginoff, Melissa. “Seven Directions: Melissa Shaginoff.” FAAM no. 22 (Spring 2019): 16–19 | print | digital

Alaska Natives

  • Bunn-Marcuse, Kathryn. “Celebration 2016 [Report].” FAAM no. 13 (Winter 2016): 92–93 | print | digital
  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and San Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital
  • Hoover, Anna. “Rolled and Reliefed. Anchorage: Anchorage Community Works [Review].” FAAM no. 6 (Spring 2015): 74–75 | print | digital
  • Jackinsky, Nadia. “Decolonizing Alaska. Homer: Bunnell Street Arts Center [Review].” FAAM no. 14 (Spring 2017): 70–71 | print | digital
  • Jackinsky, Nadia: “Aiviq and Nanuq: Sea Horse and Sea Bear of the Arctic. Anchorage: Anchorage Museum [Review].” FAAM no. 22 (Spring 2019): 80–81 | printdigital
  • Quinn, Steve. “Reaching for New Heights: Totem Poles from Southeastern Alaska.” FAAM no. 3 (Summer 2014): 59–63 | print | digital
  • Shaginoff, Melissa. “Seven Directions: Melissa Shaginoff.” FAAM no. 22 (Spring 2019): 16–19 | print | digital
  • Southall, Neebinnaukzhik. “Blizzard: Emerging Northern Artists [Review of book by Candice Hopkins and Tania Willard].” FAAM no. 1 (Fall 2013): 71–72 | print | digital

Aleck, Ben

  • Melero, Melissa. “Ben Aleck: Northern Paiute Painter and Draftsman.” FAAM no. 2 (Spring 2014): 14–17 | print | digital | web article
  • Merz-Edwards, Jean. “Great Basin Native Artists: Giving Voice to the Land.” FAAM no. 19 (Summer 2018): 24–31 | printdigital

Alfred, Marcus

  • Meredith, America. “Marcus Alfred [Memorial].” FAAM no. 13 (Winter 2016/17): 105 | print | digital

Algonquin

  • Smith, Matthew Ryan. “Nadia Myre: Algonquin Interdisciplinary Artist.” FAAM no. 6 (Spring 2015): 56–61 | print | digital

all our relations, Biennale of Sydney

  • Hanley, Andrea R. “all our relations. Sydney, Australia: 18th Biennale of Sydney [Review].” FAAM no. 0 (Spring 2013): 56–58 | digital

All My Relations Arts

  • Riddle, Mason. “On Fertile Ground: Native Artists in the Upper Midwest. Minneapolis: All My Relations Arts [Review].” FAAM no. 6 (Spring 2015): 75–76 | print | digital

Allaire, Christian

  • Ahtoneharjo-Growingthunder, Tahnee. “Seven Directions: Tahnee Ahtoneharjo-Growingthunder.” FAAM no. 16 (Fall 2017): 16–17 | printdigital

Allen, Joe

  • Melero, Melissa. “Tule Duck Decoys. Reno: Sheppard Galleries, University of Nevada, Reno [Review].” FAAM no. 10 (Spring 2016): 77 | print | digital

American Indian Art Magazine

  • Bell, Gloria. “An Indisputable Source.” FAAM no. 10 (Spring 2016): 30–31 | print | digital

American Indian Movement

  • Southall, Neebinnaukzhik. “Exploring Native Graphic Design: Activism & Design.” FAAM no. 1 (Fall 2013): 12–13 | print | digital

Amerman, Marcus

  • Amerman, Marcus. “Rollie Grandbois [Memorial].” FAAM no. 13 (Winter 2016): 103 | print | digital
  • Diaz, RoseMary. “Marcus Amerman: Choctaw Beadwork Artist.” FAAM no. 15 (Summer 2017): 46–51 | print | digital
  • Smith, Matthew Ryan. “This Other Me: Uses of the Alter Ego in Contemporary Art.” FAAM no. 16 (Fall 2017): 22–26 | printdigital

Anchorage Community Works

  • Hoover, Anna. “Rolled and Reliefed. Anchorage: Anchorage Community Works [Review].” FAAM no. 6 (Spring 2015): 74–75 | print | digital

Anchorage Museum

  • Dawley, Martina, and Biddison, Dawn. “Neoglyphix Travels North: Anchorage Museum’s Urban Interventions.” FAAM no. 13 (Winter 2016): 44–48 | print | digital
  • Jackinsky, Nadia: “Aiviq and Nanuq: Sea Horse and Sea Bear of the Arctic.” Anchorage Museum [Review].” FAAM no. 22 (Spring 2019): 80–81 | printdigital
  • Jackinsky-Sethi, Nadia. “Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living. Anchorage: Anchorage Museum [Review].” FAAM no. 2 (Spring 2014): 60–62 | print | digital
  • Shaginoff, Melissa. “Seven Directions: Melissa Shaginoff.” FAAM no. 22 (Spring 2019): 16–19 | print | digital

Anderson, Jeffrey D.

  • Meredith, America. “Arapaho Women’s Quillwork: Motion, Life, and Creativity [Review of book by Jeffrey D. Anderson].” FAAM no. 2 (Spring 2014): 69–70 | print | digital

Anderson, Marcia G.

  • Merz-Edwards, Jean. “A Bag Worth a Pony: The Art of the Ojibwe Bandolier Bag [Review of book by Marcia G. Anderson]. FAAM 18 (Spring 2018): 82–83 | printdigital 

Andes

  • Meredith, America. “Cuzco School: Andean Visions in Oils and Gold.” FAAM no. 2 (Spring 2014): 55–59 | print | digital

Anishinaabe: see specific tribe (Algonquin, Odawa, Ojibwe, Potawatomi, or Oji-Cree).

Apache

  • Tiger, Yvonne N. “Beyond Geronimo: The Apache Experience [Review of book by Janet Cantley].” FAAM no. 1 (Fall 2013): 70–71 | print | digital

Apache, Chiricahua

  • Belgodere, Jeanine. “The Theme of Dance in Allan Houser’s Sculptures.” FAAM no. 2 (Spring 2014): 40–43 | print | digital
  • Haozous, Emily A. “Allan Houser: Reflections on My Grandfather.” FAAM no. 2 (Spring 2014): 36–39 | print | digital

Appraising

  • Corinne, Cain. “Everything You Wanted to Know about Pricing and Appraising Artwork, but Were Afraid to Ask.” FAAM no. 1 (Fall 2013): 74–75 | print | digital
  • Meredith, America. My Tree of Life as an Appraiser of American Indian Art: My Viewpoint [Review of book by Leona M. Zastrow]. FAAM no. 16 (Fall 2017): 81 | printdigital

Apsáalooke: see Crow.

Aquinnah Wampanoag: see Wampanoag.

Aragon, Loren

  • Clifford, Terrance, and Nina Sanders. “Agents of Beauty: The Next Wave of Native Fashion.” FAAM no. 18 (Spring 2018): 28–35 | print | digital

Arapaho

  • Greeves, Teri. “Ken Williams: Arapaho-Seneca Beadwork Artist.” FAAM no. 1 (Fall 2013): 34–39 | print | digital
  • Meredith, America. “Arapaho Women’s Quillwork: Motion, Life, and Creativity [Review of book by Jeffrey D. Anderson].” FAAM no. 2 (Spring 2014): 69–70 | print | digital
  • Meredith, America. “Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork.” FAAM no. 1 (Fall 2013): 46–51 | print | digital

Arapaho Women’s Quillwork: Motion, Life, and Creativity

  • Meredith, America. “Arapaho Women’s Quillwork: Motion, Life, and Creativity [Review of book by Jeffrey D. Anderson].” FAAM no. 2 (Spring 2014): 69–70 | print | digital

Archaeology

  • Pratt, Stacy. “The Lac St. Agnes Site: An Ancestral Mound Site in Avoyelles Parish, Louisiana.” FAAM no. 18 (Spring 2018): 44–49 | printdigital

Archambeau, Jacquie

  • Archambeau, Jacquie. “Native Haute Couture. Evanston, IL: Mitchell Museum [Review].” FAAM no. 8 (Fall 2015): 86 | print | digital

Architecture

  • Norman, David Winfield. “Blok P: Final Salute. Copenhagen: Nordatlantens Brygge [Review].” FAAM no. 2 (Spring 2014): 62–62 | print | digital
  • Norman, David Winfield. “Greenland: Head for the Centre of the World. Copenhagen: Danish Architecture Centre [Review].” FAAM no. 2 (Spring 2014): 63–64 | print | digital

Archival Art

  • ahtone, heather. “Resisting the Mission.” Carlisle, PA: Trout Gallery, Dickinson College [Review]. 21 (Winter 2018/19): 73–75 | printdigital
  • Smith, Matthew Ryan. “The Archive in Contemporary Indigenous Art.” FAAM 12 (Fall 2016): 26–33 | print | digital

Archuleta, Bryon

  • Gómez, Reid. “Pueblo Revolt [Fiction].” FAAM no. 0 (Spring 2013): 68–75 | digital

Argentina

  • Cays, Rosa. “Luis Gonzalez Palma: Mestizo Photographer.” FAAM no. 10 (Spring 2016): 60–65 | print | digital

Armstrong, Leatrice A.

  • Armstrong, Leatrice A. “LaVerna (Laverne) Goldtooth [Memorial].” FAAM no. 2 (Spring 2014): 79  | print | digital
  • Berlo, Janet Catherine. “Mary Wheelwright: Her Book [Review of book by Leatrice A. Armstrong].” FAAM no. 14 (Spring 2017): 78–79 | print | digital

Arnold, Grant

  • Lanteri, Michelle J. “Dana Claxton: Fringing the Cube” [Review of book edited by Grant Arnold].” FAAM no. 22 (Spring 2019): 88–89 | printdigital

Aronson, Geoffrey E.

  • Aronson, Geoffrey E. “Hatsutsil Uchben.” FAAM no. 11 (Summer 2016): 40–45 | print | digital

Art + Lit

  • Diaz, RoseMary. “Esther G. Belin: Dine Poet.” FAAM no. 13 (Winter 2016): 98–101 | printdigital
  • Goméz, Reid. “Cedar Sigo: Suquamish Poet.” FAAM no. 6 (Spring 2015): 89–93 | printdigital
  • Goméz, Reid. “Natalie Diaz: Mojave-Pima Poet.” FAAM no. 5 (Winter 2014/15): 79 | print | digital
  • Hagen, John. “Chilkat River Study [Photo Essay].” FAAM no. 2 (Spring 2014): 76–77 | print | digital
  • Haozous, Bob. “White Nude.” FAAM no. 3 (Summer 2014): 76–77 | print | digital
  • Midge, Tiffany. “Heid E. Erdrich: Turtle Mountain Ojibwe Poet.” FAAM no. 22 (Spring 2019): 92–95 | printdigital
  • okpik, dg naouk, “Anthropocene Years [Plate 1] [Poem].” FAAM no. 2 (Spring 2014): 76 | print | digital
  • okpik, dg naouk, “Breaking one Caribou at a Time [Poem].” FAAM no. 2 (Spring 2014): 77 | print | digital
  • Smith, Matthew Ryan. “Carleigh Baker: Métis Author & Poet.” FAAM no. 21 (Winter 2018/19): 84–89 | printdigital
  • Smith, Matthew Ryan. “Gregory Scofield: Metis Poet.” FAAM no. 15 (Summer 2017): 86–89 | printdigital
  • Smith, Matthew Ryan. “Mary Black: Ojibwe Actor & Poet.” FAAM no. 17 (Winter 2017/18): 86–89 | printdigital
  • Smith, Matthew Ryan. “Michelle Sylliboy: Mi’kmaq Poet, Artist, and Educator.” FAAM no. 18 (Spring 2018): 88–91 | print | digital
  • Smith, Matthew Ryan. “Santee Frazier: Cherokee Writer, Poet, and Educator.” FAAM no. 11 (Summer 2016): 86–88 | printdigital
  • Smith, Matthew Ryan. “Waubgeshig Rice: Wasauksing Ojibwe Author & Journalist.” FAAM no. 20 (Fall 2018): 98–100 | printdigital

Art en Capital Salon du Dessin et de la Peinture à l’Eau

  • Boney Jr., Roy. “Something Imperialistic Happened on the Way to the Louvre: Délégation Amérindienne 2012, An Artist’s Perspective.” FAAM no. 0 (Spring 2013): 40–45 | digital

Art Fairs

  • Hanley, Andrea R. “all our relations. Sydney, Australia: 18th Biennale of Sydney [Review].” FAAM no. 0 (Spring 2013): 56–58 | digital

Art Gallery of Ontario

  • Freeman, Morgan E. “Rebecca Belmore: Facing the Monumental. Toronto: Art Gallery of Ontario [Review].” FAAM no. 21 (Winter 2018/19): 80–81 | printdigital

Art Markets

  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and San Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital
  • Meredith, America. “Santa Fe Indian Market: A History of Native Arts and the Marketplace [Review of book by Bruce Bernstein].” FAAM no. 0 (Spring 2013): 65–66 | digital

Art Mûr

  • Meier, Rhonda. “Storytelling Through Art: The Contemporary Native Art Biennial, 2nd Edition. Montreal: Art Mûr [Review].” FAAM no. 4 (Fall 2014): 75–76 | print | digital

Art Therapy

  • Diaz, RoseMary. “Healing Through the Creative Process: Art Therapy in Indian Country.” FAAM no. 2 (Spring 2014): 44–47 | print | digital

Arte Textil Contemporáneo

  • Sense, Sarah. “Arte Textil Contemporáneo. Santiago: Museo Nacional de Bellas Artes [Review].” FAAM no. 0 (Spring 2013): 62 | digital

Asenap, Jason

  • Asenap, Jason. “As We See It. Albuquerque: 516 Arts [Review].” FAAM no. 13 (Winter 2016): 76–77 | print | digital

Ash, trees

  • Church, Kelly. “Sustaining Black Ash Traditions.” FAAM no. 2 (Spring 2014): 11 | print | digital

Ash-Milby, Kathleen

  • Logan Jr., Doyle. “Kay WalkingStick: An American Artist [Review of book edited by Kathleen Ash-Milby and David W. Penney].” FAAM no. 10 (Spring 2016): 82 | print | digital

Ashbacher, Mariah

  • Ashbacher, Mariah. “American Indian Artists: 20th Century Masters. Oklahoma City: National Cowboy and Western Heritage Museum [Review].” FAAM no. 21 (Winter 2018/19): 75–76 | printdigital
  • Ashbacher, Mariah. “Seeds of Being. Norman, OK: Fred Jones Jr. Museum of Art [Review].” FAAM no. 20 (Fall 2018): 86–87 | printdigital
  • Ashbacher, Mariah, and America Meredith. “Spotlight: Key Marco Cat.” FAAM no. 22 (Spring 2019), 106–07 | printdigital

Ashevak, Kenojuak

  • Meredith, America. “Kenojuak Ashevak: Pioneering Inuk Artist Inspired Generations with Her Bold Style [Memorial].” FAAM no. 0 (Spring 2013): 77 | digital
  • Smith, Matthew Ryan. “Kenojuak Ashevak: In Memoriam. Toronto: Isadore and Rosalie Sharp Gallery, Art Gallery of Ontario [Review].” FAAM no. 3 (Summer 2014): 66–67 | print | digital

Ashoona, Pitseolak

  • Tyquiengco, Marina. “Akunnittinni: A Kinngait Family Portrait. New York: National Museum of the American Indian George Gustav Heye Center [Review].” FAAM no. 18 (Spring 2018): 77–78 | printdigital

Assu, Sonny

  • Meredith, America. “Sonny Assu: Ligwilda’xw Interdisciplinary Artist.” FAAM no. 2 (Summer 2014): 16–21 | print | digital

Ataumbi, Keri

  • Clifford, Terrance, and Nina Sanders. “Agents of Beauty: The Next Wave of Native Fashion.” FAAM no. 18 (Spring 2018): 28–35 | printdigital
  • Cook, Michele. “Keri Ataumbi: Kiowa-Comanche Jeweler and Painter.” FAAM no. 7 (Summer 2015): 44–49 | print | digital

Athabascan

  • Jackinsky-Sethi, Nadia. “Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living. Anchorage: The Anchorage Museum [Review].” FAAM no. 2 (Spring 2014): 60–62 | print | digital
  • Norman, David Winfield. “Sonya Kelliher-Combs: Iñupiaq-Athabascan Interdisciplinary Artist.” FAAM no. 14 (Spring 2017): 58–63 | print | digital
  • Shaginoff, Melissa. “Seven Directions: Melissa Shaginoff.” FAAM no. 22 (Spring 2019): 16–19 | print | digital

Augaitis, Dana

  • Pratt, Stephanie. “Charles Edenshaw [Review of book edited by Robin K. Wright, Dana Augaitis, and Jim Hart].” FAAM no. 2 (Spring 2014): 72 | print | digital

Australia

  • Hanley, Andrea R. “all our relations. Sydney, Australia: 18th Biennale of Sydney [Review].” FAAM no. 0 (Spring 2013): 56–58 | digital

Avoyel

  • Pratt, Stacy. “The Lac St. Agnes Site: An Ancestral Mound Site in Avoyelles Parish, Louisiana.” FAAM no. 18 (Spring 2018): 44–49 | printdigital