FAAM Index: B

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B

B.Yellowtail

  • Metcalfe, Jessica R. “More Than Just a Trend: Rethinking the ‘Native’ in Native Fashion.” FAAM no. 0 (Spring 2013): 36–39 | digital

Babby, Angela

  • Bordeaux, Mary V. “Angela Babby: Oglala Lakota Glass Artist.” 10 (Spring 2016): 48–53 |

Baca, Kim

  • Baca, Kim. “Sharing His Legacy: James Luna Donates His Archives to IAIA.” 4 (Fall 2014): 70–73.
  • Baca, Kim. “Christine Nofchissey McHorse: Navajo Ceramic Artist and Sculptor.” 8 (Fall 2015): 80–85.

Bacone College

  • Tiger, Tony A. “Native Soul: The Bacone College Native Art Program 1932–2014.” 3 (Summer 2014): 56–58.

Bagshaw, Margarete

  • Diaz, RoseMary. “Margarete Bagshaw [Memorial].” 7 (Summer 2015): 89.

Ballet

  • Neil-Binion, Denise. “Maria Tallchief [Memorial].” FAAM no. 1 (Fall 2013): 76 | print | digital

Bartow, Rick

  • Meredith, America. “Rick Bartow [Memorial].” 11 (Summer 2016): 89.

Basketry

  • Dowell, JoKay. “Shan Goshorn: Eastern Band Cherokee Interdisciplinary Artist.” FAAM no. 1 (Fall 2013): 22–27 | print | digital
  • Eldred, Michole. “Indian Baskets of Northern California and Oregon [Review of book by Ralph Shanks].” 11 (Summer 2016): 80.
  • Lehmann, Katja. “Byting Willows: Showcasing Excellence in Dine Basket Designs.” 6 (Spring 2015): 14–15.
  • Meredith, America. “Joe Feddersen: Okanagan-Sinixt Printmaker, Glass Artist, and Basket Weaver.” 5 (Winter 2014): 22–27.
  • Potter, Bryn Barabas. “Cahuilla Basketry: An Enduring Legacy.” 4 (Fall 2014): 50–59
  • Potter, Bryn Barabas. “Clint McKay: Dry Creek Pomo-Wappo-Wintun Basket Weaver and Jeweler.” 14 (Spring 2017): 64–69.
  • Skenandore, Hoka. “Wounaan Baskets from the Rainforests of Panama.” 12 (Fall 2016): 95–96.

Beadwork

  • Diaz, RoseMary. “Marcus Amerman: Choctaw Beadwork Artist.” 15 (Summer 2017): 46–51
  • Greeves, Teri. “Ken Williams: Arapaho-Seneca Beadwork Artist.” FAAM no. 1 (Fall 2013): 34–39 | print | digital
  • Greeves, Teri. “Orlando Dugi: Diné Beadwork Artist and Fashion Designer.” FAAM no. 0 (Spring 2013): 12-17 | digital
  • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57.
  • Meredith, America. “Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork.” FAAM no. 1 (Fall 2013): 46–51 | print | digital
  • Merz-Edwards, Jean. “Jackie Larson Bread: Blackfeet Beadwork Artist.” 8 (Fall 2015): 62–67.
  • Neil-Binion, Denise. “Walking With Our Sisters: A Commemorative Art Installation.” 7 (Summer 2015): 39–43.

Beardsley, Amanda

  • Meredith, America. “Fresh Perspectives: Three Artists You Should Know.” 12 (Fall 2016): 56–59.

Begaye, Marwin

  • Fricke, Suzanne Newman. “Marwin Begaye: Navajo Printmaker.” 11 (Summer 2016): 46–51

Belarde-Lewis, Miranda

  • Belarde-Lewis, Miranda. “Colin Coonsis: Zuni Jeweler and Lapidarian.” 12 (Fall 2016): 62–67.
  • Belarde-Lewis, Miranda. “Here & Now: Native Artists Inspired [Review].” 8 (Fall 2015): 90–91.

Belin, Esther G.

  • Diaz, RoseMary. “Esther G. Belin: Diné Poet.” 13 (Winter 2016): 98–101.

Belgodere, Jeanine

  • Belgodere, Jeanine. “The Theme of Dance in Allan Houser’s Sculptures.” 2 (Spring 2014): 40–43

Bell, Gloria

  • Bell, Gloria. “Air, Land, Seed. Venice: University of Venice Ca’Foscari Palazzo Cosulich [Review].” FAAM no. 1 (Fall 2013): 68–69 | print | digital
  • Bell, Gloria. “Baby Blue: Work by Chandra Melting Tallow [Review].” 2 (Spring 2014):65–66.
  • Bell, Gloria. “Dana Claxton: Indian Candy. Vancouver: Winsor Gallery [Review].” 2 (Spring 2014): 67–68.
  • Bell, Gloria. “An Indisputable Source.” FAAM no. 10 (Spring 2016): 30–31 | print | digital
  • Bell, Gloria. “Linda Aguilar: Chumash Basket Maker.” FAAM no. 21 (Winter 2018/19): 46–51 | printdigital
  • Bell, Gloria. “Robert Davidson: Abstract Impulse [Review].” 4 (Fall 2014): 78–79.

Benavides, Annick

  • Benavides, Annick. “Guaman Poma and the First New Chronicle and Good Government.” 15 (Summer 2017): 28–34.
  • Meredith, America. “The Cuzco School: Andean Visions in Oil and Gold.” 2 (Spring 2014): 52–59.

Berkemeyer, Eric

  • Logan Jr., Doyle. “Super Indian: Fritz Scholder 1967–1980 [Review of book edited by John P. Lukavic].” 9 (Winter 2015): 82–83.

Berlo, Janet Catherine

  • Berlo, Janet Catherine. “Mary Wheelwright: Her Book [Review of book by Leatrice A. Armstrong].” FAAM no. 14 (Spring 2017): 78–79 | print | digital
  • Merz-Edwards, Jean. “Native North American Art, 2nd Edition [Written Janet Cathrine Berlo and Ruth B. Phillips].” 6 (Spring 2015): 83.

Bernstein, Bruce

  • Meredith, America. “Santa Fe Indian Market: A History of Native Arts and the Marketplace [Review of book by Bruce Bernstein].” FAAM no. 0 (Spring 2013): 65–66 | digital

Berry, Martha

  • Berry, Martha. “Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection.” 9 (Winter 2015): 77.
  • Meredith, America. “Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork.” FAAM no. 1 (Fall 2013): 46–51 | print | digital

Biddison, Dawn

  • Dawley, Martina, and Biddison, Dawn. “Neoglyphix Travels North: Anchorage Museum’s Urban Interventions.” 13 (Winter 2016): 44–48

Biennale of Sydney

  • Hanley, Andrea R. “all our relations. Sydney, Australia: 18th Biennale of Sydney [Review].” FAAM no. 0 (Spring 2013): 56–58 | digital

Bigfeather, Joanna

  • Fricke, Suzanne Newman. “Perspectives and Parallels; Expanding Interpretive Foundations with American Indian Curators and Writers [Review of book edited by Joanna Bigfeather and Amy Lonetree].” 7 (Summer 2015): 79–80

Blackfeet

  • Merz-Edwards, Jean. “Jackie Larson Bread: Blackfeet Beadwork Artist.” 8 (Fall 2015): 62–67

Blizzard: Emerging Northern Artists

  • Southall, Neebinnaukzhik. “Blizzard: Emerging Northern Artists [Review of book by Candice Hopkins and Tania Willard].” FAAM no. 1 (Fall 2013): 71–72 | print | digital

Blythe Intaglios

  • Meredith, America. “Colorado River Geoglyphs: Guardians of a Sacred Landscape.” FAAM no. 1 (Fall 2013): 56–61 | print | digital

Boney Jr., Roy

  • Boney Jr., Roy. “Bobby C. Martin: Muscogee Creek Printmaker.” 8 (Fall 2015): 74–79
  • Boney Jr., Roy. “Graphic Natives: The Indigenous Narratives Collective.” 3 (Summer 2014): 42–47
  • Boney Jr., Roy. “Lloyd Kiva New: His Cherokee Roots and Legacy in Oklahoma.” 12 (Fall 2016): 40–45.
  • Boney Jr., Roy. “Papyrus: The Power of Bad Fonts.” FAAM no. 1 (Fall 2013): 15 | print | digital | web article
  • Boney Jr., Roy. “Something Imperialistic Happened on the Way to the Louvre: Délégation Amérindienne 2012, An Artist’s Perspective.” FAAM no. 0 (Spring 2013): 40–45 | digital
  • Boney Jr., Roy. “Troy Jackon: Cherokee Ceramic Sculptor.” 4 (Fall 2014): 32–37
  • Fricke, Suzanne Newman. “The Force Will Be With You… Always: Science Fiction Imagery in Native American Art.” 12 (Fall 2016): 34–39.

Bordeaux, Mary

  • Bordeaux, Mary. “Kevin Pourier: Oglala Lakota Buffalo Horn Carver and Jeweler.” 4 (Fall 2014): 44–49
  • Bordeaux, Mary V. “Angela Babby: Oglala Lakota Glass Artist.” 10 (Spring 2016): 48–53.

Boxley, David A.

  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital

Bridges, David Moses

  • Schulz, David. “David Moses Bridges [Memorial].” 14 (Spring 2017): 86

Brown, Jason Reed

  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital

Butler-Palmer, Carolyn

  • Butler-Palmer, Carolyn. “Yakuglas’ Legacy: The Art and Times of Charlie James [Review of book by Ronald W. Hawker].” 15 (Summer 2017): 83–84

Bunn-Marcuse, Kathryn

  • Southall, Neebinnaukzhik. “In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum [Review of book edited by Robin K. Wright and Kathryn Bunn-Marcuse].” 2 (Spring 2014): 73.
  • Bunn-Marcuse, Kathryn. “Celebration 2016 [Report].” FAAM no. 13 (Winter 2016): 92–93 | print | digital