Indigenous art. Indigenous perspectives.

Issue No. 8, Fall 2015

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FAAM8Issue No. 8, Fall 2015


Locations



Features

  • Ga ni tha, Three Native Women, and the Venice Biennale, by John Paul Rangel, PhD (Mestizo/Apache descent)
  • The Continuum of Plains Pictorial Tradition, by heather ahtone (Chickasaw/Choctaw) and Joe D. Horse Capture (A’aninin)
  • Asleep and Awake: Contemporary Indigenous Video Art and the Politics of Presence, by Matthew Ryan Smith, PhD
  • Zapotec Day of the Dead, by Kevin Simpson
  • Ascending New Heights: Four Artists to Watch, by America Meredith (Cherokee Nation)

Artist Profiles

  • Jackie Larson Bread, Blackfeet Beadwork Artist, by Jean Merz-Edwards
  • Brent Greenwood, Chickasaw-Ponca Painter, by America Meredith (Cherokee Nation)
  • Bobby C. Martin, Muscogee Creek Printmaker, by Roy Boney Jr. (Cherokee Nation)
  • Christine Nofchissey Horse, Navajo Ceramic Artist, by Kim Baca (Navajo/Santa Clara Pueblo)

Departments

  • Recent Developments (news)
  • Seven Directions with Michole Eldred (Catawba/Eastern Cherokee descent)
  • Literature + Art: interview with Joy Harjo-Sapulpa (Muscogee), by Yvonne N. Tiger (Cherokee Nation/Seminole/Muscogee) with artwork by Dana Tiger (Muscogee/Seminole/Cherokee)
  • Exploring Native Graphic Design: The Artistry of Indigenous Video Games, by Elizabeth LaPensée, PhD
  • Everything You Create Is Protected by Copyright Law, by Kevin Kemper, PhD, LLM
  • In Memoriam
    • Joseph Jacobs (Cayuga), by America Meredith
    • Michael “Huzo” Paddlety (Kiowa), by Maya Torralba (Kiowa)

Reviews

  • Art Exhibitions
  • Books
  • Musics
  • Reports

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  First American Art Magazine, #
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