Review | Rutherford Falls
Rutherford Falls connects the mainstream public to Indian Country By Gracelynn Growingthunder (Nakoda/Kiowa), age 11…
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Review | Neither Wolf Nor Dog
Need some quality viewing during quarantine? Roaring Fire Films’s Neither Wolf Nor Dog stands the test of…
Review | Hearts of Our People: Native Women Artists
By Cedar Marie (Standing Rock Sioux descent) Hearts of Our People pays tribute to Indigenous…
Review | Molly of Denali
By Gracelynn Growingthunder, aged 9 Nakoda, Kiowa, Oklahoma City MonksAboutArt Molly of Denali is art.…
Review | Gerald Clarke: Out of Sight, Out of Mind
Norman Gerald Clarke: Out of Sight, Out of Mind Lightwell Gallery, University of Oklahoma By…
Jason Garcia’s “Warrior Maiden Muse”
By Neebinnaukzhik Southall An image of a powerful woman resided in the changing gallery space…
Beads: A Universe of Meaning
Santa Fe Beads: A Universe of Meaning Wheelwright Museum of the American Indian An exhibition…
Review | Broken Boxes at form + concept
DURING THE WEEK of SWAIA’s 96th Santa Fe Indian Market, form + concept gallery in…
Review | Re-Riding History: From the Southern Plains to the Matanzas Bay
Museum of the Great Plains, Lawton, Oklahoma IT ALL BEGAN on the Southern Plains landscape at Salt…
Review | Jamison Chas Banks
In Terrortories: The Frontier, artist Jamison Chas Banks held both a performance and open studio…