Indigenous art. Indigenous perspectives.
First American Art Magazine

Ancestral, historical & living arts by Indigenous peoples of the Americas

FAAM Index: I

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IAIA: see Institute of American Indian Arts

Idle No More

  • Southall, Neebinnaukzhik. “Exploring Native Graphic Design: Activism & Design.” FAAM no. 1 (Fall 2013): 12–13 | print | digital

Igloliorte, Heather

  • Meredith, America. “Decolonize Me [Review of book edited by Heather L. Igliorte].” FAAM no. 0 (Spring 2013): 63–64 | digital
  • Smith, Matthew Ryan. “PUBLIC 54, Indigenous Art: New Media and the Digital [Review of book by Heather Igloliorte, Julie Nagam, and Carla Tauton].” 15 (Summer 2017): 82–83

In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum

  • Southall, Neebinnaukzhik. “In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum. [Review of book edited by Robin K. Wright and Kathryn Bunn-Marcuse].” FAAM no. 2 (Spring 2014): 73 | print | digital

Indian Candy

  • Bell, Gloria. “Indian Candy. Vancouver: Winsor Gallery [Review].” FAAM no. 2 (Spring 2014): 67–68 | print | digital

Indigenous Arts Coalition

  • Meredith, America. “Real N.D.N.–Native Diaspora Now.” San Francisco: Galería de la Raza [Review].” FAAM no. 0 (Spring 2013): 60–61 | digital

Indigenous Brilliance

  • Pratt, Stephanie. “Contemporary Native American Art in Britain, 1980s to Today.” 12 (Fall 2016): 48–55.
  • Yazzie, Lyle Toledo. “Report from Indigenous Brilliance, Seborga, Italy.” FAAM no. 1 (Fall 2013): 69 | print | digital

Indigenous Intercontinental Biennial of Art

  • Meredith, America. “V Indigenous Intercontinental Biennial of Art. Quito, Ecuador: Centro Cultural Itchimbía [Report].” FAAM no. 5 (Winter 2014): 69 | print | digital

Ingram, Jerry

  • Meredith, America. “Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork.” FAAM no. 1 (Fall 2013): 46–51 | print | digital | web article

Installation Art

  • Hoover, Anna. “Da-ka-xeen Mehner: Tlingit-Nisga’a Photographer and Interdisciplinary Artist.” FAAM no. 2 (Spring 2014): 30–35 | print | digital
  • Meredith, America. “Dylan Miner: Métis Artist and Indigenous Activist.” FAAM no. 1 (Fall 2013): 28–33 | print | digital
  • Watson, Mary Jo. “Wendy Red Star: Crow Interdisciplinary Artist.” FAAM no. 5 (Winter 2014): 34–39 | print | digital

Institute of American Indian Arts (IAIA)
IAIA Museum of Contemporary Native Arts

  • Baca, Kim. “Sharing His Legacy: James Luna Donates His Archives to IAIA.” FAAM no. 4 (Fall 2014): 70–73 | print | digital
  • Lanteri, Michelle. “Athena LaTocha: Inside the Forces of Nature. Santa Fe: IAIA Museum of Contemporary Native Arts.” 15 (Summer 2017): 74–76.
  • Meredith, America. “Stands with a Fist. Santa Fe: IAIA Museum of Contemporary Native Arts. [Review].” FAAM no. 1 (Fall 2013): 67–68 | print | digital
  • Peña, Alex J. “ARTiculations in Print. Santa Fe: IAIA Museum of Contemporary Native Arts [Review].” FAAM no. 4 (Fall 2014): 79–80 | print | digital

Inuit

  • Jackinsky-Sethi, Nadia. “Fish Skin as a Textile Material in Alaska Native Cultures.” FAAM no. 5 (Winter 2014): 40–47 | print | digital
  • Meredith, America. “Decolonize Me [Review of book edited by Heather L. Igliorte].” FAAM no. 0 (Spring 2013): 63–64 | digital
  • Meredith, America. “Kenojuak Ashevak: Pioneering Inuk Artist Inspired Generations with Her Bold Style [Memorial].” FAAM no. 0 (Spring 2013): 77 | digital
  • Meredith, America. “Northern Lights: Greenlandic Art in the 21st Century.” FAAM no. 0 (Spring 2013): 46–55 | digital | web article
  • Norman, David Winfield. “Blok P: Final Salute. Copenhagen: Nordatlantens Brygge [Review].” FAAM no. 2 (Spring 2014): 62–62 | print | digital
  • Norman, David Winfield. “Greenland: Head for the Centre of the World. Copenhagen: Danish Architecture Centre [Review].” FAAM no. 2 (Spring 2014): 63–64 | print | digital
  • Norman, David Winfield. “Inuk Silis Høegh: Kalaaleq Filmmaker and Interdisciplinary Artist.” 7 (Summer 2015): 62–67.
  • okpik, dg naouk, “Anthropocene Years [Plate 1] [Poem].” FAAM no. 2 (Spring 2014): 76 | print | digital
  • okpik, dg naouk, “Breaking one Caribou at a Time [Poem].” FAAM no. 2 (Spring 2014): 77 | print | digital
  • Southall, Neebinnaukzhik. “Blizzard: Emerging Northern Artists [Review of book by Candice Hopkins and Tania Willard].” FAAM no. 1 (Fall 2013): 71–72 | print | digital
  • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014): 22–23 | print | digital

Iñupiat (see also: Inuit)

  • Jackinsky, Nadia. “Ronald Senungetuk: Iñupiaq Interdisciplinary Artist and Educator.” 13 (Winter 2016): 58–62
  • Norman, David Winfield. “Sonya Kelliher-Combs: Iñupiaq-Athabascan Interdisciplinary Artist.” 14 (Spring 2017): 58–63

Iroquois: see Haudenosaunee

Isaak, Joel

  • Jackinsky-Sethi, Nadia. “Fish Skin as a Textile Material in Alaska Native Cultures.” FAAM no. 5 (Winter 2014): 40–47 | print | digital

Italy

  • Bell, Gloria. “Air, Land, Seed. Venice: University of Venice Ca’Foscari Palazzo Cosulich [Review].” FAAM no. 1 (Fall 2013): 68–69 | print | digital
  • Rangel, John Paul. “Ga nit ha, Three Native Women, and the Venice Biennale.” 8 (Fall 2015): 26–30.
  • Yazzie, Lyle Toledo. “Report from Indigenous Brilliance, Seborga, Italy.” FAAM no. 1 (Fall 2013): 69 | print | digital