Indigenous art. Indigenous perspectives.
First American Art Magazine

Ancestral, historical & living arts by Indigenous peoples of the Americas

FAAM Index: M

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M

Mabee-Gerrer Museum of Art

  • Skenandore, Hoka. “Wounaan Baskets from the Rainforests of Panama. Shawnee: Mabee-Gerrer Museum of Art.” 12 (Fall 2016): 95–9

MacKnight, Sheridan

  • Diaz, RoseMary. “Healing Through the Creative Process: Art Therapy in Indian Country.” FAAM no. 2 (Spring 2014): 44–47 | print | digital

Maidu

  • Melero, Melissa. “Judith Lowry: Mountain Maidu-Pit River-Washoe Painter.” 6 (Spring 2015): 50–55.

Malbeuf, Amy

  • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014), 85–86 | print | digital

Malnar, Monice

  • Merz-Edwards, Jean. “New Architecture on Indigenous Lands [Review of book by Joy Monice Malnar and Frank Vodvarka [Review].” FAAM no. 5 (Winter 2014), 68 | print | digital

Manning, Dolleen

  • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014), 85–86 | print | digital

Mapuche

  • McKinnon, Heidi. “Mapuche Silver: Dreams, Tears, and the Work of a Retrafe.” FAAM no. 5 (Winter 2014), 48–55 | print | digital
  • Sense, Sarah. “Arte Textil Contemporáneo. Santiago: Museo Nacional de Bellas Artes [Review].” FAAM no. 0 (Spring 2013): 62 | digital

Mannerism

  • Meredith, America. “Cuzco School: Andean Visions in Oils and Gold.” FAAM no. 2 (Spring 2014): 55–59 | print | digital

Mariette, Kim

  • Mariette, Kim. “The Art of Horse Painting by the Plains Nations.” 11 (Summer 2016): 34–39.

Marmon, Lee

  • Logan Jr., Doyle. “Laguna Pueblo: A Photographic History [Written by Lee Marmon and Tom Corbett].” 8 (Fall 2015): 96–97.

Martin, Bobby C.

  • Boney Jr., Roy. “Bobby C. Martin: Muscogee Creek Printmaker.” 8 (Fall 2015): 74–79.

Martin, David

  • Church, Kelly. “Seven Directions: Kelly Church.” FAAM no. 5 (Winter 2014), 12–13 | print | digital

Martinez, Michael J.

  • Martinez, Michael J. “Gerónima Cruz Montoya [Memorial].” 7 (Summer 2015): 90.

Maya

  • Fields, Nancy Strickland. “Threads of Identity: Contemporary Maya Textiles Charlotte, NC: Mint Museum [Review].” 12 (Fall 2016): 88.

McCoy Jr., Daniel

  • McCoy Jr., Daniel. “Inner-City Southwestern Disenchantment [Comic].” FAAM no. 1 (Fall 2013): 78–79 | print | digital
  • McCoy Jr., Daniel. “Joan Hill: Muscogee-Cherokee Painter.” 9 (Winter 2015): 50–55.

McDonas, Thollem: see Thollem

McHorse, Christine

  • Baca, Kim. “Christine Nofchissey McHorse: Navajo Ceramic Artist and Sculptor.” 8 (Fall 2015): 80–85.

McKay, Clint

  • Potter, Bryn Barabas. “Clint McKay: Dry Creek Pomo-Wappo-Wintun Basket Weaver and Jeweler.” 14 (Spring 2017): 64–69.

McKinnon, Heidi

  • McKinnon, Heidi. “Dancing with Fire: The Majestic and Dangerous Work of Grupo Sotz’il.” 6 (Spring 2015): 16–23.
  • McKinnon, Heidi. “Mapuche Silver: Dreams, Tears, and the Work of a Retrafe.” FAAM no. 5 (Winter 2014), 48–55 | print | digital

McMaster, Gerald

  • Neil-Binion, Denise. “Before and After the Horizon: Anishinaabe Artists of the Great Lakes [Review of book edited by Gerald McMasters and David W. Penney].” FAAM no. 3 (Summer 2014), 68–69 | print | digital

McNeil, Larry

  • Evans, Lara M. “Larry McNeil: Tlingit-Nisga’a Photographer and Printmaker.” FAAM no. 5 (Winter 2014), 28–33 | print | digital

McNutt, Jennifer Complo

  • Fricke, Suzanne Newman. “Conversations: Eiteljorg Contemporary Art Fellowship 2015 [Review of book edited Ashley Holland and Jennifer Complo McNutt].” 10 (Spring 2015): 81.

Mehner, Da-ka-xeen

  • Hoover, Anna. “Da-ka-xeen Mehner: Tlingit-Nisga’a Photographer and Interdisciplinary Artist.” FAAM no. 2 (Spring 2014): 30–35 | print | digital

Meier, Rhonda

  • Meier, Rhonda. “Storytelling: The Contemporary Native Art Biennial, 2nd edition. Montreal: Art Mûr, Stewart Hall Art Gallery, and Cirque du Soleil International Headquarters [Review].” FAAM no. 4 (Fall 2014), 75–76 | print | digital

Melero, Melissa: see Melero-Moose, Melissa

Melero-Moose, Melissa

  • Melero, Melissa. “Ben Aleck: Northern Paiute Painter and Draftsman.” FAAM no. 2 (Spring 2014): 14–17 | print | digital | web article
  • Melero, Melissa. “California Contemporary Native Art. Sacramento: California State Capitol Museum [Review].” FAAM no. 1 (Fall 2013): 65–66 | print | digital
  • Melero, Melissa. “How Not to Write an Article on Native Artists: Advice to Journalist X.” FAAM no. 1 (Fall 2013): 14 | print | digital
  • Melero, Melissa. “Judith Lowry: Mountain Maidu-Pit River-Washoe Painter.” FAAM no. 6 (Spring 2015): 50–55 | print | digital
  • Melero-Moose, Melissa. “Tule Duck Decoys. Reno: Sheppard Galleries, University of Nevada, Reno [Review].” FAAM no. 10 (Spring 2016): 77 | print | digital
  • Melero, Melissa. “The Way We Live: American Indian Art of the Great Basin and the Sierra Nevada. Reno: Nevada Museum of Art [Review].” FAAM no. 0 (Spring 2013): 59–60 | digital
  • Merz-Edwards, Jean. “Melissa Melero: Northern Paiute-Modoc Mixed Media Artist.” FAAM no. 4 (Fall 2014), 38–43 | print | digital

Melting Tallow, Chandra

  • Bell, Gloria. “Baby Blue: Work by Chandra Melting Tallow. Toronto: Whippersnapper Gallery [Review].” FAAM no. 2 (Spring 2014): 65–66 | print | digital

Meredith, America

  • Meredith, America. “Alex Seowtewa [Memorial].” FAAM no. 4 (Fall 2014), 90–91 | print | digital
  • Meredith, America. “Arapaho Women’s Quillwork: Motion, Life, and Creativity [Review of book by Jeffrey D. Anderson].” FAAM no. 2 (Spring 2014): 69–70 | print | digital
  • Meredith, America. “The Artistic Legacy of Spiro Mound.” 15 (Summer 2017): 18–27.
  • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57.
  • Meredith, America. “Barry Coffin [Memorial].” 14 (Spring 2017): 87.
  • Meredith, America. “Beau Dick [Memorial].” 15 (Summer 2017): 90–91.
  • Meredith, America. “Brent Greenwood: Chickasaw-Ponca Painter.” 8 (Fall 2015): 68–73.
  • Meredith, America. “Clara Neptune Keezer [Memorial].” 13 (Winter 2016): 102.
  • Meredith, America. “Carl Ponca [Memorial].” FAAM no. 1 (Fall 2013): 77 | print | digital
  • Meredith, America. “Carm Little Turtle [Memorial].” 13 (Winter 2016): 102.
  • Meredith, America. “The Challenges of Judging Native Art.” FAAM no. 4 (Fall 2014):,60–63 | print | digital
  • Meredith, America. “Colorado River Geoglyphs: Guardians of a Sacred Landscape.” FAAM no. 1 (Fall 2013): 56–61 | print | digital
  • Meredith, America. “Courage and Compassion: Native Women Sculpting Women.” 6 (Spring 2015): 78–79.
  • Meredith, America. “Cuzco School: Andean Visions in Oils and Gold.” FAAM no. 2 (Spring 2014): 55–59 | print | digital
  • Meredith, America. “Decolonize Me [Review of book edited by Heather L. Igliorte].” FAAM no. 0 (Spring 2013): 63–64 | digital
  • Meredith, America. “Dugan Aguilar [Memorial].” FAAM no. 21 (Winter 2018/19): 91 | print | digital
  • Meredith, America. “Dylan Miner: Métis Artist and Indigenous Activist.” FAAM no. 1 (Fall 2013): 28–33 | print | digital
  • Meredith, America. “Faithfully Rendered: Naturalism in Contemporary Native American Portrait Painting.” 9 (Winter 2015): 40–47.
  • Meredith, America. “Floral Journey: Native North American Beadwork [Review of book by Lois S. Dubin].” FAAM no. 4 (Fall 2014), 84–85 | print | digital
  • Meredith, America. “For a Love of His People: The Photography of Horace Poolaw [Review of book edited by Nancy Marie Mithlo].” 6 (Spring 2015): 82.
  • Meredith, America. “Fresh Perspectives: Three Artists You Should Know.” 12 (Fall 2016): 56–59.
  • Meredith, America. “From Myth to Creation: Art from Amazonian Ecuador [Review of book by Dorothea S. Whitten and Norman E. Whitten Jr.].” 15 (Summer 2017): 80–82.
  • Meredith, America. “From the Birthplace of the World: The Solar Map Project and Ancestral Stone Inscriptions of Eastern Paraguay.” 7 (Summer 2015): 30–37.
  • Meredith, America. “George Flett: Love and Camas–Renowned Renowned Ledger Artist Was Dedicated to His People [Memorial].” FAAM no. 0 (Spring 2013): 78 | digital
  • Meredith, America. “Get Your Art Online!.” FAAM no. 7 (Summer 2015): 92–93.
  • Meredith, America. “Indigenous Intercontinental Biennial Art V.” 5 (Winter 2014): 69.
  • Meredith, America. “Intertwined: Stories of the Splintered Past.” 8 (Fall 2015): 93.
  • Meredith, America. “Jagua Tips.” FAAM no. 4 (Fall 2014), 67 | print | digital
  • Meredith, America. “Jane Osti: Cherokee Ceramic Artist.” 11 (Summer 2016): 66–71.
  • Meredith, America. “Jaune Quick-to-See Smith: An American Modernist [Review of book by Carolyn Kastner].” FAAM no. 3 (Summer 2014), 70–72 | print | digital
  • Meredith, America. “Jeffrey Gibson: Speak to Me. Oklahoma City: Oklahoma Contemporary [Review].” 15 (Summer 2017): 71–73.
  • Meredith, America. “Joe Feddersen: Okanagan-Sinixt Printmaker, Glass Artist, and Basket Weaver.” FAAM no. 5 (Winter 2014), 22–27 | print | digital
  • Meredith, America. “Johnny Tiger Jr. [Memorial].” 9 (Winter 2015): 91.
  • Meredith, America. “Joseph R. Jacobs, CM, DLitt [Memorial].” 8 (Fall 2015): 107.
  • Meredith, America. “Kenojuak Ashevak: Pioneering Inuk Artist Inspired Generations with Her Bold Style [Memorial].” FAAM no. 0 (Spring 2013): 77 | digital
  • Meredith, America. “Lloyd Earl Oxendine [Memorial].” 9 (Winter 2015): 90–91.
  • Meredith, America. “The Lloyd Kiva New Project.” 13 (Winter 2016): 80–81.
  • Meredith, America. “Marcus Alfred [Memorial].” FAAM no. 13 (Winter 2016/17): 105 | print| digital
  • Meredith, America. “Melvin Sandoval: A Very Special Fetish Carver [Written by Alan Livingstone-Smith].” 13 (Winter 2016): 89–90.
  • Meredith, America. “My Tree of Life as an Appraiser of American Indian Art: My Viewpoint [Review of book by Leona M. Zastrow]. FAAM no. 16 (Fall 2017): 81 | print | digital
  • Meredith, America. “Native Fashion Now: North American Indian Style [Review of book by Karen Kramer, Jay Calderin, Madeleine M. Kropa, and Jessica R. Metcalfe].” 10 (Spring 2015): 83–84.
  • Meredith, America. “Norman Tait [Memorial].” 12 (Fall 2016): 104–105.
  • Meredith, America. “Northern Lights: Greenlandic Art in the 21st Century.” FAAM no. 0 (Spring 2013): 46–55 | digital
  • Meredith, America. “Ohio’s Ancient Earthworks.” FAAM no. 5 (Winter 2014), 56–59 | print | digital
  • Meredith, America. “Real N.D.N.–Native Diaspora Now. San Francisco: Galería de la Raza [Review].” FAAM no. 0 (Spring 2013): 60–61 | digital
  • Meredith, America. “Rick Bartow [Memorial].” 11 (Summer 2016): 89.
  • Meredith, America. “RoseMary Diaz: Santa Clara Pueblo Tewa Writer.” 7 (Summer 2015): 84–85.
  • Meredith, America. “Santa Fe Indian Market: A History of Native Arts and the Marketplace [Review of book by Bruce Bernstein].” FAAM no. 0 (Spring 2013): 65–66 | digital
  • Meredith, America. “Seekers and Travellers: Contemporary Art of the Pacific Northwest Coast [Review of book by Gary Wyatt].” FAAM no. 0 (Spring 2013): 65 | digital
  • Meredith, America. “Sonny Assu: Ligwilda’xw Interdisciplinary Artist.” FAAM no. 2 (Summer 2014): 16–21 | print | digital
  • Meredith, America. “Stands with a Fist. Santa Fe: IAIA Museum of Contemporary Native Arts. [Review].” FAAM no. 1 (Fall 2013): 67–68 | print | digital
  • Meredith, America. “Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork.” FAAM no. 1 (Fall 2013): 46–51 | print | digital
  • Meredith, America. “Terrol Dew Johnson: Tohono O’odham Basket Weaver and Sculptor.” 14 (Spring 2016): 52–57.
  • Meredith, America. “Those Who are Above, Those Who are on Earth: Effigy Mounds of Southern Wisconsin.” 10 (Spring 2016): 22–29.
  • Meredith, America. “Tim Pitsiulak [Memorial].” 14 (Spring 2017): 87.
  • Meredith, America. “Tom Jones: Ho-Chunk Photographer.” FAAM no. 0 (Spring 2013): 24–29 | digital
  • Meredith, America. “Troy Sice: Zuni Sculptor.” 6 (Spring 2015): 68–73.
  • Meredith, America. “V Indigenous Intercontinental Biennial of Art. Quito, Ecuador: Centro Cultural Itchimbía [Report].” FAAM no. 5 (Winter 2014), 69 | print | digital
  • Meredith, America. “Will Wilson. Santa Fe: Wheelwright Museum of the American Indian [Review].” FAAM no. 4 (Fall 2014):,81–82 | print | digital
  • Meredith, America. Women and Ledger Art: Four Contemporary Native American Artists [Review of book by Richard Pearce].” FAAM no. 1 (Fall 2013): 72–73 | print | digital
  • Meredith, America, and David Norman Winfield. “Greenland Art History Timeline.” FAAM no. 0 (Spring 2013): 52–53 | digital | web article

Meredith, Mary Ellen

  • Meredith, Mary Ellen. “Here & Now: Contemporary Native American Art of Oklahoma.” 6 (Spring 2015): 79–80.
  • Meredith, Mary Ellen. “Honor and Revival: Cherokee National Treasures.” 15 (Summer 2017): 36–39.

Merz-Edwards, Jean

  • Merz-Edwards, Jean. “A Bag Worth a Pony: The Art of the Ojibwe Bandolier Bag [Review of book by Marcia G. Anderson]. FAAM 18 (Spring 2018): 82–83 | print | digital
  • Merz-Edwards, Jean. “Art in Motion: Native American Explorations of Time, Place, and Thought [Review of book edited by John Lukavic and Laura Caruso].” 13 (Winter 2016): 88
  • Merz-Edwards, Jean. “George Neptune: Passamaquoddy Basket Weaver.” 9 (Winter 2015): 56–61.
  • Merz-Edwards, Jean. “Great Basin Native Artists: Giving Voice to the Land.” FAAM no. 19 (Summer 2018): 24–31 | print | digital
  • Merz-Edwards, Jean. “Hopi Silver, Hopi Gold: 12 Contemporary Jewelers [Review of book by Zena Pearlstone].” 7 (Summer 2015): 77–78.
  • Merz-Edwards, Jean. “In Search of Nampeyo: The Early Years 1875–1892 [Review of book by Steve Elmore].” 8 (Fall 2015): 94.
  • Merz-Edwards, Jean. “Intersections Between Feminism and Indigenous Art.” 14 (Spring 2016): 26–31.
  • Merz-Edwards, Jean. “Jackie Larson Bread: Blackfeet Beadwork Artist.” 8 (Fall 2015): 62–67.
  • Merz-Edwards, Jean. “Melissa Melero: Northern Paiute-Modoc Mixed Media Artist.” FAAM no. 4 (Fall 2014), 38–43 | print | digital
  • Merz-Edwards, Jean. “Native North American Art, 2nd Edition [Review of book Janet Cathrine Berlo and Ruth B. Phillips].” 6 (Spring 2015): 83.
  • Merz-Edwards, Jean. “New Architecture on Indigenous Lands [Review of book by Joy Monice Malnar and Frank Vodvarka [Review].” FAAM no. 5 (Winter 2014), 68 | print | digital
  • Merz-Edwards, Jean. “Norman Akers: Osage Painter and Printmaker.” FAAM no. 13 (Winter 2016): 52–57 | print | digital
  • Merz-Edwards, Jean. “Preston Singletary: Tlingit Glass Artist.” 12 (Fall 2016): 80–85.
  • Merz-Edwards, Jean. “Rick Bartow: Things You Know But Cannot Explain [Review].” 11 (Summer 2016): 76–77
  • Merz-Edwards, Jean. “Rick Bartow: Things You Know But Cannot Explain [Review of book edited Jill Hartz and Danielle M. Knapp].” 9 (Winter 2015): 82.
  • Merz-Edwards, Jean. “Traditional Weavers of Guatemala: Their Stories, Their Lives [Review of book by Deborah Chandler and Teresa Cordon].” 10 (Spring 2015): 84–85.

Mestiza/Mestize/Mestizo

  • Southall, Neebinnaukzhik. “Publications Professional; Deborah Villa.” FAAM no. 5 (Winter 2014): 14–15 | print | digital

Metcalfe, Jessica R.

  • Metcalfe, Jessica R. “More Than Just a Trend: Rethinking the ‘Native’ in Native Fashion.” FAAM no. 0 (Spring 2013): 36–39 | digital
  • Meredith, America. “Native Fashion Now [Review of book edited by Karen Kramer].” 10 (Spring 2015): 83–84

Métis

  • Meredith, America. “Dylan Miner: Métis Artist and Indigenous Activist.” FAAM no. 1 (Fall 2013): 28–33 | print | digital
  • Smith, Matthew Ryan. “Gregory Scofield: Metis Poet.” 15 (Summer 2017): 86–89.

Mexico

  • Aronson, Geoffrey E. “Hatsutsil Uchben.” 11 (Summer 2016): 40–45
  • Simpson, Kevin. “Wixaritari Yarn Painting: Dazzling Art from the Sierra Madre Occidental Mountains.” FAAM no. 3 (Summer 2014): 48–55 | print | digital
  • Simpson, Kevin. “Celebrating Life and Death in a Zapotec Village.” 8 (Fall 2015): 46–51.
  • Simpson, Kevin. “Zapotec Weaving: Resurgence of a Cultural Art Form.” 13 (Winter 2016): 22–29.
  • Short, Cathy. “Festival Alfonso Ortiz Tirado.” 7 (Summer 2015): 82–83.

Michi Saagig Nishnaabe: see Ojibwe.

Michif: see Métis

Midge, Tiffany.

  • Midge, Tiffany. “Heid E. Erdrich: Turtle Mountain Ojibwe Poet.” FAAM no. 22 (Spring 2019): 92–95 | print | digital

Mike Larsen, exhibition

  • Hart, Franci. “Mike Larsen. Oklahoma City: Exhibit C [Review].” FAAM no. 5 (Winter 2014): 64–65 | print | digital

Mikkanen, Arvo

  • Mikkanen, Arvo. “Sherman Chaddlesone [Memorial].” FAAM no. 2 (Summer 2014): 78 | print | digital

Millicent Rogers Museum

  • Hale, Scott W. “Santa Fe Indian School Style. Taos: Millicent Rogers Museum.” 12 (Fall 2016): 96–97.

Miner, Dylan

  • Meredith, America. “Dylan Miner: Métis Artist and Indigenous Activist.” FAAM no. 1 (Fall 2013): 28–33 | print | digital

Mint Museum

  • Fields, Nancy Strickland. “Threads of Identity: Contemporary Maya Textiles Charlotte, NC: Mint Museum [Review].” 12 (Fall 2016): 88.

Mithlo, Nancy Marie:

  • Meredith, America. “For a Love of His People: The Photography of Horace Poolaw [Review of book edited by Nancy Marie Mithlo].” 6 (Spring 2015): 82

Mixed Media

  • Merz-Edwards, Jean. “Melissa Melero: Northern Paiute-Modoc Mixed Media Artist.” FAAM no. 4 (Fall 2014): 38–43 | print | digital

Modoc

  • Merz-Edwards, Jean. “Melissa Melero: Northern Paiute-Modoc Mixed Media Artist.” FAAM no. 4 (Fall 2014): 38–43 | print | digital

Mohawk

  • Greeves, Teri. “Carla Hemlock: Mohawk Quiltmaker.” FAAM no. 2 (Spring 2014): 24–29 | print | digital
  • Hemlock, Carla. “We Remain Haudenosaunee (Spotlight).” 13 (Winter 2016): 96–97

Mojave

  • Diaz, Natalie. “These Hands, If Not Gods [Poem].” FAAM no. 5 (Winter 2014): 78–79 | print | digital
  • Gómez, Reid. “Natalie Diaz: Mojave-Pima Poet.” 5 (Winter 2014): 76–79

Monice, Joy

  • Merz-Edwards, Jean. “New Architecture on Indigenous Lands [Review of book by Joy Monice and Frank Vodvarka].” 5 (Winter 2014): 68

Monks, Vicki

  • Monks, Vicki. “Margaret Roach Wheeler: Chickasaw Textile Artist.” 13 (Winter 2016): 70–75.

Montano, Roshii

  • Montano, Roshii, and Ahlberg Yohe, Jill. “Blanketing the Plains: Hanoolchaadi in Indian Country.” FAAM no. 14 (Spring 2016): 20–25 | print| digital

Montoya, Gerónima Cruz

  • Martinez, Michael J. “Gerónima Cruz Montoya [Memorial].” 7 (Summer 2015): 90.

Montreal

  • Meier, Rhonda. “Storytelling: The Contemporary Native Art Biennial, 2nd edition. Montreal: Art Mûr, Stewart Hall Art Gallery, and Cirque du Soleil International Headquarters [Review].” FAAM no. 4 (Fall 2014), 75–76 | print | digital
  • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014), 22–23 | print | digital

Moore, Ardina

  • Neil-Binion, Denise. “Ardina Moore: Quapaw-Osage Regalia Maker.” FAAM no. 3 (Summer 2014): 28–33 | print | digital

Moquino, Jennifer

  • Diaz, RoseMary. “Jennifer Moquino: Santa Clara Ceramic Artist.” 12 (Fall 2016): 68–73.

Movie Costume Design

  • Diaz, RoseMary. “Pilar Agoyo: Ohkay Owingeh-Cochiti-Kewa Pueblo Fashion Designer.” FAAM no. 4 (Fall 2014): 26–31 | print | digital

Morin, Peter

  • Young, India. “Adasla: The Movement of the Hands. Victoria: University of Victoria: Legacy Gallery [Review].” FAAM no. 4 (Fall 2014): 82–84 | print | digital

Murals

  • Fricke, Suzanne Newman. “Nanibah ‘Nani’ Chacon: Diné-Xicana Painter.” FAAM no. 1 (Fall 2013): 16–21 | print | digital
  • Meredith, America. “Alex Seowtewa (Zuni)[Memorial].” FAAM no. 4 (Fall 2014): 90–91 | print | digital

Muscogee Creek

  • Boney Jr., Roy. “Bobby C. Martin: Muscogee Creek Printmaker.” 8 (Fall 2015): 74–79
  • McCoy Jr., Daniel. “Joan Hill: Muscogee-Cherokee Painter.” 9 (Winter 2015): 50–55
  • Neil-Binion, Denise. “Anita Fields: Osage-Muscogee Ceramic Artist.” FAAM no. 0 (Spring 2013): 18-23 | digital

Museo Nacional de Bellas Artes, Santiago, Chile

  • Sense, Sarah. “Arte Textil Contemporáneo. Santiago: Museo Nacional de Bellas Artes [Review].” FAAM no. 0 (Spring 2013): 62 | digital

Museum of Contemporary Native Arts: see Institute of American Indian Arts

Museum of Indian Arts and Culture

  • Lanteri, Michelle. “Landscape of an Artist: Living Treasures Dan Namingha. Santa Fe: Museum of Indian Arts and Culture” 12 (Fall 2016): 94–95.

Myers-Wapp, Josephine

  • Wapp Jr., Edward. “Josephine Myers-Wapp [Memorial].” 6 (Spring 2015): 88.

Music

  • Smith, Matthew Ryan. “Leanna Simpson: Michi Saagig Nishnaabe Writer, Musician, and Educator.” 14 (Spring 2017): 82–84

Myre, Nadia

  • Smith, Matthew Ryan. “Nadia Myre: Algonquin Interdisciplinary Artist.” 6 (Spring 2015): 56–61.