Indigenous art. Indigenous perspectives.
First American Art Magazine

Ancestral, historical & living arts by Indigenous peoples of the Americas

FAAM Index: S

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S

Saulteaux (also see: Ojibwe)

  • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014): 85–86 | print | digital

San Ildefonso Pueblo

  • Fricke, Suzanne Newman. “Alex J. Pena: Comanche-Pawnee- San Ildefonso Printmaker.” 6 (Spring 2015): 62–67.

Sanders, Nina

  • Clifford, Terrance, and Nina Sanders. “Agents of Beauty: The Next Wave of Native Fashion.” FAAM no. 18 (Spring 2018): 28–35 | print | digital

Santa Clara Pueblo

  • Diaz, RoseMary. “Jennifer Moquino: Santa Clara Ceramic Artist.” 12 (Fall 2016): 68–73
  • Meredith, America. “RoseMary Diaz: Santa Clara Pueblo Tewa Writer.” 7 (Summer 2015): 84–85.

Sarah Sense: Weaving Water

  • Pratt, Stephanie. “Sarah Sense: Weaving Water. Bristol: Rainmaker Gallery [Review].” FAAM no. 1 (Fall 2013): 63–64 | print | digital

Santa Fe

  • McCoy Jr., Daniel. “Inner-City Southwestern Disenchantment [Comic].” FAAM no. 1 (Fall 2013): 78–79 | print | digital

Santa Fe Indian Market

  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital
  • Meredith, America. “Santa Fe Indian Market: A History of Native Arts and the Marketplace [Review of book by Bruce Bernstein].” FAAM no. 0 (Spring 2013): 65–66 | digital

Savvy Collector

  • Corinne, Cain. “Everything You Wanted to Know about Pricing and Appraising Artwork, but Were Afraid to Ask.” FAAM no. 1 (Fall 2013): 74–75 | print | digital

Schrupp, Nelda

  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital
  • Herndon, Mark. “Nelda Schrupp: Pheasant Rump Nakota Jeweler and Silversmith.” 12 (Fall 2016): 74–79.

Science Fiction

  • Fricke, Suzanne Newman. “The Force Will Be With You… Always: Science Fiction Imagery in Native American Art.” 12 (Fall 2016): 34–3.

Scofield, Gregory

  • Smith, Matthew Ryan. “Gregory Scofield: Metis Poet.” 15 (Summer 2017): 86–89.

Sculpture

  • Baca, Kim. “Christine Nofchissey McHorse: Navajo Ceramic Artist and Sculptor.” 8 (Fall 2015): 80–85.
  • Belgodere, Jeanine. “The Theme of Dance in Allan Houser’s Sculptures.” FAAM no. 2 (Spring 2014): 40–43 | print | digital
  • Boney Jr., Roy. “Troy Jackson: Cherokee Ceramic Sculptor.” FAAM no. 4 (Fall 2014): 32–37 | print | digital
  • Bordeaux, Mary. “Kevin Pourier: Oglala Lakota Buffalo Horn Carver and Jeweler.” FAAM no. 4 (Fall 2014): 44–49 |print | digital
  • Fricke, Suzanne Newman. “Nora Naranjo Morse: Tewa Sculptor.” 15 (Summer 2017): 58–63.
  • Haozous, Emily A. “Allan Houser: Reflections on My Grandfather.” FAAM no. 2 (Spring 2014): 36–39 | print | digital
  • Meredith, America. “Troy Sice: Zuni Sculptor.” 6 (Spring 2015): 68–73.
  • Meredith, America. “Terrol Dew Johnson: Tohono O’odham Basket Weaver and Sculptor.” 14 (Spring 2016): 52–57.
  • Smith, Matthew Ryan. “Cliff Fragua: Jemez Pueblo Sculptor.” 10 (Spring 2016): 54–59.

Secwepemc

  • Smith, Matthew Ryan. “Tania Willard: Secwepemc Interdisciplinary Artist.” 15 (Summer 2017): 64–69
  • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014): 22–23 | print | digital

Seminole

  • Watson, Mary Jo. “June Lee: Seminole Textile Artist.” 10 (Spring 2016): 66–71

Seneca

  • Greeves, Teri. “Ken Williams: Arapaho-Seneca Beadwork Artist.” FAAM no. 1 (Fall 2013): 34–39 | print | digital
  • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57

Sense, Sarah

  • Sense, Sarah. “Arte Textil Contemporáneo. Santiago: Museo Nacional de Bellas Artes [Review].” FAAM no. 0 (Spring 2013): 62 | digital
  • Pratt, Stephanie. “Sarah Sense: Weaving Water. Bristol: Rainmaker Gallery [Review].” FAAM no. 1 (Fall 2013): 63–64 | print | digital

Senungetuk, Ronald

  • Jackinsky, Nadia. “Ronald Senungetuk: Inupiaq Interdisciplinary Artist and Educator.” 13 (Winter 2016): 58–62

Seowtewa, Alexander

  • Meredith, America. “Alex Seowtewa [Memorial].” FAAM no. 4 (Fall 2014): 90–91 | print | digital

Seven Directions

  • ahtone, heather. “Seven Directions.” FAAM no. 2 (Spring 2014), 11 | print| digital
  • Church, Kelly. “Seven Directions: Kelly Church.” FAAM no. 5 (Winter 2014), 12–13 | print | digital
  • Mithlo, Nancy Marie. “Seven Directions: Nancy Marie Mithlo.” FAAM no. 3 (Summer 2014), 12–13 | print | digital
  • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014), 22–23 | print | digital

Shaax’ Saani

  • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57.

Shaginoff, Melissa

  • Shaginoff, Melissa. “Seven Directions: Melissa Shaginoff.” FAAM no. 22 (Spring 2019): 16–19 | print| digital

Shanks, Ralph

  • Eldred, Michole. “Indian Baskets of Northern California and Oregon [Review of book by Ralph Shanks].” 11 (Summer 2016): 80.

Shaw, Erin

  • Meredith, America. “Erin Shaw: Chickasaw-Choctaw Painter.” FAAM no. 0 (Spring 2013): 30–35 | digital

Shawnee

  • “Art+Lit: Lauren Da’.” FAAM no. 4 (Fall 2014): 88–89 | print | digital

Sheridan, Frank Pipe Woman

  • Greeves, Teri. “Frank Pipe Woman Sheridan (Southern Cheyenne) [Memorial].” FAAM no. 4 (Fall 2014): 91 | print | digital

Sheyahshe, Michael

  • Sheyahshe, Michael. “Red: A Haida Manga [Review of book by Michael Nicoll Yahgulanaas].” 6 (Spring 2015): 84

Short, Cathy

  • Short, Cathy. “When the Ordinary Becomes Unique: Tarahumara People and Their Art.” 6 (Spring 2015): 30–39
  • Short, Cathy. “From Lamb to Loom: The Navajo-Churro and Sheep Is Life Celebration.” 9 (Winter 2015): 35–39
  • Short, Cathy. “Mata Ortiz Pottery.” 11 (Summer 2016): 28–33
  • Short, Cathy. “southwestNET: Postcommodity.” 7 (Summer 2015): 73–74
  • Short, Cathy. “Loloma: Expressions in Metal, Ink, and Clay.” 8 (Fall 2015): 87
  • Short, Cathy. “ Super Heroes: Super Heroes: Art! Action! Adventure!.” 8 (Fall 2015): 88–89
  • Short, Cathy. “Festival Alfonso Ortiz Tirado.” 7 (Summer 2015): 82–83.
  • Short, Cathy. “Frida Kahlo: Her Photos. Phoenix: Heard Museum.” 10 (Spring 2016): 74–76.

Short, Christopher

  • Short, Christopher. “Photographing Your Art the Painless Way.” FAAM no. 5 (Winter 2014): 72–75 | print | digital

Shulz, David

  • Shulz, David. “David Moses Bridges [Memorial].” 14 (Spring 2017): 86

Sice, Troy

  • Meredith, America. “Troy Sice: Zuni Sculptor.” 6 (Spring 2015): 68–73.

Sierra Nevada

  • Melero, Melissa. “The Way We Live: American Indian Art of the Great Basin and the Sierra Nevada. Reno: Nevada Museum of Art [Review].” FAAM no. 0 (Spring 2013): 59–60 | digital

Sigo, Cedar

  • Gómez, Reid. “Cedar Sigo: Suquamish Poet.” 6 (Spring 2015): 89–93

Silis Høegh, Bolatta

  • Meredith, America. “Northern Lights: Greenlandic Art in the 21st Century.” FAAM no. 0 (Spring 2013): 46–55 | digital

Silis Høegh, Inuk

  • Meredith, America. “Northern Lights: Greenlandic Art in the 21st Century.” FAAM no. 0 (Spring 2013): 46–55 | digital
  • Norman, David Winfield. “Inuk Silis Høegh: Kalaaleq Filmmaker and Interdisciplinary Artist.” 7 (Summer 2015): 62–67.

Silversmithing

  • McKinnon, Heidi. “Mapuche Silver: Dreams, Tears, and the Work of a Retrafe.” FAAM no. 5 (Winter 2014): 48–55 | print | digital

Simpson, Kevin

  • Simpson, Kevin. “Celebrating Life and Death in a Zapotec Village.” 8 (Fall 2015): 46–51.
  • Simpson, Kevin. “Wixaritari Yarn Painting: Dazzling Art from the Sierra Madre Occidental Mountains.” 3 (Summer 2014): 48–55.
  • Simpson, Kevin. “Zapotec Weaving: Resurgence of a Cultural Artform.” 13 (Winter 2016): 22–29.

Simpson, Leanne

  • Smith, Matthew Ryan. “Leanne Simpson: Michi Saagig Nishnaabe Writer, Musician, and Educator.” 14 (Spring 2017): 82–84.

Singer, Ryan

  • Fricke, Suzanne Newman. “The Force Will Be With You… Always: Science Fiction Imagery in Native American Art.” 12 (Fall 2016): 34–39.

Singing

  • Gómez, Reid. “Radmilla Cody: Navajo Singer and Activist.” FAAM no. 2 (Spring 2014): 18–23 | print| digital

Singletary, Preston

  • Merz-Edwards, Jean. “Preston Singletary: Tlingit Glass Artist.” 12 (Fall 2016): 80–85.

Sinixt

  • Meredith, America. “Joe Feddersen: Okanagan-Sinixt Printmaker, Glass Artist, and Basket Weaver.” FAAM no. 5 (Winter 2014): 22–27 | print | digital

Singing

  • Gómez, Reid. “Radmilla Cody: Navajo Singer and Activist.” FAAM no. 2 (Spring 2014): 18–23 | print | digital

Skenandore, Hoka

  • Skenandore, Hoka. “Art + Lit.” FAAM no. 5 (Winter 2014): 78–79 | print | digital
  • Skenandore, Hoka. “Wounaan Baskets from the Rainforests of Panama.” 12 (Fall 2016): 95–96.

Smallboy, Quinn

  • Smith, Matthew Ryan, “Art+Lit: Quinn Smallboy.” 12 (Fall 2016): 100–103.

Smith, Janet Lamon

  • Diaz, RoseMary. “Healing Through the Creative Process: Art Therapy in Indian Country.” FAAM no. 2 (Spring 2014): 44–47 | print| digital

Smith, Jaune Quick-To-See

  • Baca, Kim. “Jaune Quick-To-See Smith Shares Advice on Creating an Artist’s Archive.” FAAM no. 4 (Fall 2014): 73 | print | digital

Smith, Matthew Ryan

  • Smith, Matthew Ryan. “Annie Pootoogook [Memorial].” 3 (Winter 2016): 106
  • Smith, Matthew Ryan. “The Archive in Contemporary Indigenous Art.” FAAM 12 (Fall 2016): 26–33 | print | digital
  • Smith, Matthew Ryan. “Asleep and Awake Contemporary Indigenous Video Art and the Politics of Presence.” 8 (Fall 2015): 40–45
  • Smith, Matthew Ryan. “Carleigh Baker: Métis Author & Poet.” FAAM no. 21 (Winter 2018/19): 84–89 | print | digital
  • Smith, Matthew Ryan. “Cliff Fragua: Jemez Pueblo Sculptor.” 10 (Spring 2016): 54–59
  • Smith, Matthew Ryan. “Damian Jim.” 13 (Winter 2016): 18–21
  • Smith, Matthew Ryan. “Gregory Scofield: Metis Poet.” FAAM no. 15 (Summer 2017): 86–89 | print | digital
  • Smith, Matthew Ryan. “I Write for My Family: A Conversation with Tanya Lukin Linklater.” 10 (Spring 2016): 38–42
  • Smith, Matthew Ryan. “In Search of Hozho: Notes on Performance and Performance Art.” 14 (Spring 2017): 38–43
  • Smith, Matthew Ryan. “Kenojuak Ashevak: In Memoriam. Toronto: Isadore and Rosalie Sharp Gallery, Art Gallery of Ontario [Review].” FAAM no. 3 (Summer 2014): 66–67 | print | digital
  • Smith, Matthew Ryan. “Leanna Simpson: Michi Saagig Nishnaabe Writer, Musician, and Educator.” 14 (Spring 2017): 82–84
  • Smith, Matthew Ryan. “Lovesick Child. Toronto: A Space Gallery [Review].” FAAM no. 2 (Spring 2014): 66–67 | print | digital
  • Smith, Matthew Ryan. “Marianne Nicolson, PhD: Dzawada’enuxw Interdisciplinary Artist and Educator.” 11 (Summer 2016): 58–65
  • Smith, Matthew Ryan. “March of the Land Writers: Unsanctioned Indigenous Street Art Interventions.” 9 (Winter 2015): 22–27
  • Smith, Matthew Ryan. “Mary Black: Ojibwe Actor & Poet.” FAAM no. 17 (Winter 2017/18): 86–89 | print| digital
  • Smith, Matthew Ryan. “Michelle Sylliboy: Mi’kmaq Poet, Artist, and Educator.” FAAM no. 18 (Spring 2018): 88–91 | print | digital
  • Smith, Matthew Ryan. “Nadia Myre: Algonquin Interdisciplinary Artist.” FAAM no. 6 (Spring 2015): 56–61 | print | digital
  • Smith, Matthew Ryan. “Nicholas Galanin: Tlingit-Unangax Interdisciplinary Artist.” 7 (Summer 2015): 56–61
  • Smith, Matthew Ryan. “Orlando White: Diné Poet and Educator”12 (Fall 2016): 100–103
  • Smith, Matthew Ryan. “PUBLIC 54, Indigenous Art: New Media and the Digital [Review of book edited by Heather Igloliorte, Julie Nagam, and Carla Tauton].” 15 (Summer 2017): 82–83
  • Smith, Matthew Ryan. “Reading the Talk.” 9 (Winter 2015): 78–79
  • Smith, Matthew Ryan. “Santee Frazier: Cherokee Writer, Poet, and Educator.” FAAM no. 11 (Summer 2016): 86–88 | print| digital
  • Smith, Matthew Ryan. “7: Professional Native Indian Artists Inc.” 8 (Fall 2015): 91–92
  • Smith, Matthew Ryan. “Storming Canada: Carl Ray, Indigenous Representation, and Sacred Legends.” 6 (Spring 2015): 24–29
  • Smith, Matthew Ryan. “Tania Willard: Secwepemc Interdisciplinary Artist.” 15 (Summer 2017): 64–69
  • Smith, Matthew Ryan. “This Other Me: Uses of the Alter Ego in Contemporary Art.” FAAM no. 16 (Fall 2017): 22–26 | print| digital
  • Smith, Matthew Ryan. “Tsu Heidei Shugaxtutaan [Review of video by Nicholas Galanin].” FAAM no. 4 (Fall 2014): 87 | print | digital
  • Smith, Matthew Ryan. “Up Where We Belong: Native Musicians in Popular Culture.” 10 (Spring 2016): 72–73.
  • Smith, Matthew Ryan. “Visual Artist and Designer: Jodie Webster.” 12 (Fall 2016): 22–23
  • Smith, Matthew Ryan. “Waubgeshig Rice: Wasauksing Ojibwe Author & Journalist.” FAAM no. 20 (Fall 2018): 98–100 | print | digital

Soctomah, Lydia

  • Soctomah, Lydia. “You Can’t Get There From Here: 2015 Portland Museum of Art Biennial. Portland, ME: Portland Museum of Art [Review.]” 10 (Spring 2016): 76–77.

Solar Map Project

  • Meredith, America. “From the Birthplace of the World: The Solar Map Project and Ancestral Stone Inscriptions of Eastern Paraguay.” 7 (Summer 2015): 30–37

Southall, Neebinnaukzhik

  • Southall, Neebinnaukzhik. “Activism & Design.” FAAM no. 1 (Fall 2013): 12–13 | print | digital
  • Southall, Neebinnaukzhik. “Biskakone Greg Johnson: Lac du Flambeau Chippewa Interdisciplinary Artist.” 3 (Summer 2014): 22–27
  • Southall, Neebinnaukzhik. “Blizzard: Emerging Northern Artists [Review of book by Candice Hopkins and Tania Willard].” FAAM no. 1 (Fall 2013): 71–72 | print | digital
  • Southall, Neebinnaukzhik. “Chad Earles: Caddo Visual Communicator.” 7 (Summer 2015): 14–15
  • Southall, Neebinnaukzhik. “Design in Academic Settings.” FAAM no. 2 (Spring 2014): 12–13 | print | digital
  • Southall, Neebinnaukzhik. “Eunique Yazzie: Design in the Community.” 11 (Summer 2016): 20–21
  • Southall, Neebinnaukzhik. “Exploring Native Graphic Design.” FAAM no. 0 (Spring 2013): 10 | digital
  • Southall, Neebinnaukzhik. “In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum. [Review of book edited by Robin K. Wright and Kathryn Bunn-Marcuse].” FAAM no. 2 (Spring 2014): 73 | print | digital
  • Southall, Neebinnaukzhik. “Perspectives from Ryan Red Corn.” 3 (Summer 2014): 14–15
  • Southall, Neebinnaukzhik. “Making of a Designer: Mark Rutledge.” FAAM no. 4 (Fall 2014): 24–25 | print | digital
  • Southall, Neebinnaukzhik. “Not Another Mascot Article.” 10 (Spring 2016): 20–21
  • Southall, Neebinnaukzhik. “Publications Professional; Deborah Villa.” FAAM no. 5 (Winter 2014): 14–15 | print | digital
  • Southall, Neebinnaukzhik. “Rico Worl.” 9 (Winter 2015): 18–20
  • Southall, Neebinnaukzhik. “Shame and Prejudice: A Story of Resilience.” 15 (Summer 2017): 78–80.

Southeastern Woodlands

  • Meredith, America. “Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork.” FAAM no. 1 (Fall 2013): 46–51 | print | digital | web article

Southern Cheyenne: see Cheyenne

Southwestern College, Santa Fe

  • Diaz, RoseMary. “Healing Through the Creative Process: Art Therapy in Indian Country.” FAAM no. 2 (Spring 2014): 44–47 | print | digital

Spiro Mounds

  • Meredith, America. “The Artistic Legacy of Spiro Mounds.” 15 (Summer 2017): 18–27.

Spokane Tribe

  • Meredith, America. “George Flett: Love and Camas–Renowned Renowned Ledger Artist Was Dedicated to His People [Memorial].” FAAM no. 0 (Spring 2013): 78 | digital

Stands with a Fist

  • Meredith, America. “Stands with a Fist. Santa Fe: IAIA Museum of Contemporary Native Arts. [Review].” FAAM no. 1 (Fall 2013): 67–68 | print | digital

Stanley, Manigueuigdinapi

  • Szok, Peter. “Antologia de poetas kunas [Review of book edited by Arysteiders Ikuaiklikina Turpana and Manigueuigdinapi Stanley].” 13 (Winter 2016): 86–87.

State of the Ars: Discovering American Art Now

  • Church, Kelly. “Seven Directions: Kelly Church.” FAAM no. 5 (Winter 2014): 12–13 | print | digital

Stewart Hall Art Gallery, Montreal

  • Meier, Rhonda. “Storytelling: The Contemporary Native Art Biennial, 2nd edition. Montreal: Art Mûr, Stewart Hall Art Gallery, and Cirque du Soleil International Headquarters [Review].” FAAM no. 4 (Fall 2014): 75–76 | print | digital

Stock, Alexandra Ponca

  • Stock, Alexandra Ponca. “Wendy Ponca: Osage Fashion Designer and Textile Artist.” 9 (Winter 2015): 62–67

Storytelling: The Contemporary Native Art Biennial

  • Meier, Rhonda. “Storytelling: The Contemporary Native Art Biennial, 2nd edition. Montreal: Art Mûr, Stewart Hall Art Gallery, and Cirque du Soleil International Headquarters [Review].” FAAM no. 4 (Fall 2014): 75–76 | print | digital

Street Art

  • Fricke, Suzanne Newman. “Nanibah ‘Nani’ Chacon: Diné-Xicana Painter.” FAAM no. 1 (Fall 2013): 16–21 | print | digital
  • Smith, Matthew Ryan. “March of the Land Writers: Unsanctioned Indigenous Street Art Interventions.” 9 (Winter 2015): 22–27.
  • Szok, Peter. “Ologwagdi, El Kolectivo, and the Art of Protest in Panama.” 9 (Winter 2015): 28–32.

Suquamish

  • Gómez, Reid. “Cedar Sigo: Suquamish Poet.” 6 (Spring 2015): 89–93

Surveillapocalypse: Neskonlith

  • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014): 22–23 | print | digital

SWAIA: See Santa Fe Indian Market

Swinomish.

  • Fricke, Suzanne Newman. “Matika Wilbur: Swinomish-Tulalip Photographer.” 3 (Summer 2014): 34–41

Szok, Peter.

  • Szok, Peter. “Antologia de poetas kunas [Review of book edited by Arysteiders Ikuaiklikina Turpana and Manigueuigdinapi Stanley].” 13 (Winter 2016): 86–87.
  • Szok, Peter. “Festival de Arte Dule (Report).” 14 (Spring 2016): 80–81
  • Szok, Peter. “Kansuet: Guna Painter.” 11 (Summer 2016): 52–57
  • Szok, Peter. “Ologwagdi, El Kolectivo, and the Art of Protest in Panama.” 9 (Winter 2015): 28–32.