Indigenous art. Indigenous perspectives.

FAAM Index: X, Y, Z, & #

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X

pending

Y

Yahgulanaas, Lisa Hageman

  • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital

Yahgulanaas, Michael Nicoll

  • Sheyahshe, Michael. “Red: A Haida Manga [Review of book by Michael Nicoll Yahgulanaas].” FAAM 6 (Spring 2015): 84 | print | digital

Yazzie, Eunique

  • Southall, Neebinnaukzhik. “Eunique Yazzie: Design in the Community.” FAAM 11 (Summer 2016): 20–21 | print | digital

Yazzie, Lyle Toledo

  • Yazzie, Lyle Toledo. “Report from Indigenous Brilliance, Seborga, Italy.” FAAM no. 1 (Fall 2013): 69 | print | digital

Yazzie, Melanie A.

  • Fricke, Suzanne Newman. “Melanie Yazzie: Geographies of Memory. Albuquerque: University of New Mexico Art Museum [Review].” FAAM no. 3 (Summer 2014): 64–65 | print | digital

Yellowtail, Bethany: see B.Yellowtail

Yepa-Pappan, Debra

  • Fricke, Suzanne Newman. “The Force Will Be With You… Always: Science Fiction Imagery in Native American Art.” FAAM 12 (Fall 2016): 34–39 | print | digital

Yohe, Jill Ahlberg

  • Montano, Roshii, and Ahlberg Yohe, Jill. “Blanketing the Plains: Hanoolchaadi in Indian Country.” FAAM 14 (Spring 2016): 20–25 | print | digital

Young, India

  • Fricke, Suzanne Newman. “Hemisphere: Visual Cultures of the Americas, Volume VI [Review of journal edited by India Young].” FAAM no. 2 (Spring 2014): 71 | printdigital
  • Young, India. “Adaslā: The Movement of the Hands. Victoria: Legacy Gallery, University of Victoria [Review].” FAAM no. 4 (Fall 2014): 82–84 | print | digital
  • Young, India. “Clarissa Rizal [Memorial].” FAAM 14 (Spring 2017): 88 | print | digital
  • Young , India. “Northwest Coast Indian Art: An Analysis of Form [Review of book by Bill Holm].” FAAM 7 (Summer 2015): 78–79 | print | digital

Yup’ik, Yupiit

  • Jackinsky-Sethi, Nadia. “Fish Skin as a Textile Material in Alaska Native Cultures.” FAAM no. 5 (Winter 2014): 40–47 | print | digital

Z

Zapotec

  • Simpson, Kevin. “Celebrating Life and Death in a Zapotec Village.” 8 (Fall 2015): 46–51. print | digital
  • Simpson, Kevin. “Zapotec Weaving: Resurgence of a Cultural Artform.” 13 (Winter 2016): 22–29.

Zepeda, Brian

  • Meredith, America. “Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork.” FAAM no. 1 (Fall 2013): 46–51 | print | digital

Zheng, Steven

  • Golar, Staci. “Travels to China: Artists Sustain Traditions Using the Universal Language of Art.” FAAM no. 2 (Spring 2014): 48–51 | printdigital

Zuni

  • Belarde-Lewis, Miranda. “Colin Coonsis: Zuni Jeweler and Lapidarian.” 12 (Fall 2016): 62–67.
  • Meredith, America. “Alex Seowtewa (Zuni) [Memorial].” FAAM no. 4 (Fall 2014): 90–91 | print | digital
  • Meredith, America. “Troy Sice: Zuni Sculptor.” FAAM no. 6 (Spring 2015): 68–73 | print | digital

#

516 Arts, Albuquerque:

  • Asenap, Jason. “As We See It. Albuquerque: 516 Arts [Review].” 13 (Winter 2016): 76–77.
  • Evans, Lara M. “Octopus Dreams: Works on Paper by Contemporary Native Americans Artists. Albuquerque: 516 Arts [Review].” FAAM no. 1 (Fall 2013): 62–63 | print | digital