Issue No. 26, Spring 2020
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Features
- Making Masks, Spinning Webs, and 49 Rhythms:
The Native Theater Movement of the 1960s and 1970s in the United States
by Candice Byrd (Quapaw/Osage/Cherokee Nation), 20–25 - Dixza Rugs and Organic Farm: A Benizaa Family Strikes a Balance
by Rosa Cays (Chicana), 26–32 - Parfleches: How Native Women Pushed the Envelope of Abstraction
by America Meredith (Cherokee Nation), 34–39 - This Is Ours, Not Yours: Breakthroughs in Protecting
Indigenous Intellectual Property Rights in Latin America
by Heidi McKinnon, 40–49
Artist Profiles
- Thiago Cóstackz: Mestizo/Potiguara Interdisciplinary Artist
by Vivian Zavataro, 50–57 - RYAN! Feddersen: Okanogan/Arrow Lakes Installation Artist
by Jean Merz-Edwards, 58–63 - Tommy Joseph: Tlingit Armor-Maker and Woodcarver
by Christopher W. Smith, 64–69 - Luanne Redeye: Seneca Beadwork Artist, Painter, and Printmaker
by Neebinnaukzhik Southall (Rama Chippewa), 70–75
Departments
- Recent Developments, 13–15
- Seven Directions |: Stacy Pratt, PhD (Mvskoke), 16–19
- Art+Literature | Vera Marlene Starbard: Tlingit/Dena’ina Author, Editor, and Playwright
by Matthew Ryan Smith, PhD, 93–96 - Spotlight | Scenes of Kiowa Life
by Mariah L. Ashbacher, 76–77
Reviews
Art Exhibition Reviews
- Albuquerque | Indelible Ink: Native Women, Printmaking, Collaboration, University of New Mexico Art Museum
Review by Suzanne Newman Fricke, PhD, 80–81 - Montreal | mazinigwaaso/to bead something—Barry Ace: Bandolier Bags as Cultural Conduit, FOFA Gallery, Concordia University
Review by Gloria J. Bell (Métis), 81–82 - Montreal | Shuvinai Ashoona: Mapping Worlds | ᓱᕕᓇᐃ ᐊᓲᓈ: ᓄᓇᙳᐊᓕᐅᕐᓂᖅ ᓄᓇᕐᔪᐊᙳᐊᓂᒃ, Galerie Leonard and Bina Ellen Art Gallery, Concordia University
Review by Gloria J. Bell, PhD (Métis), 82–83 - New Haven, CT | Place, Nations, Generations, Beings: 200 Years of Indigenous North American Art, Yale University Art Gallery
Review by Marina Tyquiengco (Chamorro), 84–85 - New York | Stretching the Canvas: Eight Decades of Painting, National Museum of the American Indian George Gustav Heye Center
Review by Marina Tyquiengco (Chamorro), 85–86 - St. Petersburg, FL | Spirit Lines: Helen Hardin Etchings, The James Museum of Western & Wildlife Art
Review by Michole Eldred (Catawba/Eastern Band Cherokee), 86–88 - Santa Fe | Laughter and Resilience: Humor in Native American Art, Wheelwright Museum of the American Indian
Review by RoseMary Diaz (Santa Clara Tewa), 88–89 - Tulsa | Place, Nations, Recall/Respond: Tulsa Artist Fellowship and Gilcrease Museum Collaboration (Phase II), Gilcrease Museum
Review by Michelle J. Lanteri, 90–91
Book Review
- Carpe Fin: A Haida Manga by Michael Nicoll Yahgulanaas (Douglas & McIntyre, 2019)
Review by Stacy Pratt, PhD (Mvskoke), 91–92
In Memoriam
- Ron Senungetuk (Iñupiaq, 1933–2020)
by Tammi J. Hanawalt, PhD, 78 - Knokovtee Scott (Cherokee Nation/Muscogee, 1951–2019)
by Candice Byrd (Quapaw/Osage/Cherokee Nation), 79