Issue No. 30, Spring 2021
(April–June)
Features
- Crow’s Shadow Institute of the Arts
By Nanette Kelley (Osage Nation/Cherokee Nation) - Evolving States: Michael Elizondo Jr. and the Reemergence of the Bacone College School of Indian Art
By Cedar Marie (Standing Rock Lakota descent) - Allan Houser and His Sons: A Story of Kinship and Three Different Artistic Statements
By Jeanine Belgodere - The Neo-Woodland Movement
By Matthew Ryan Smith, PhD
Artist Profiles
- Lily Hope: Tlingit Weaver
By Amy Fletcher - Maria Hupfield: Wasauksing Ojibwe Transdisciplinary Artist
By Michelle J. Lanteri - Mario Martinez: Pascua Yaqui Painter
By RoseMary Diaz (Santa Clara Pueblo) - Nathan Young: Delaware/Pawnee/Kiowa
Interdisciplinary Artist and Musician
By Thollem
Departments
- Recent Developments
- Seven Directions: Kelly Church (Pottawatomi/Ottawa/Ojibwe)
- Art+Literature: Stephen Graham Jones: Blackfeet Author and Educator
By Matthew Ryan Smith, PhD
Artwork by Jonathan Thunder (Red Lake Ojibwe) - Collections: Field Museum
By Andrea L. Ferber, PhD - Opinion: The Paradox of Decolonizing Museums
By Nanette Kelley (Osage Nation/Cherokee Nation) - Exhibition Reviews
- Book Reviews
- Music Review
- In Memoriam
- Bill Church (Pottawatomi/Ottawa/Ojibwe)
By Kelly Church (Pottawatomi/Ottawa/Ojibwe) - Christine Nofchissey McHorse (Navajo)
By Stacy Pratt, PhD (Mvskoke) - Marden Paniza (Guna)
By Peter Szok, PhD
- Bill Church (Pottawatomi/Ottawa/Ojibwe)
Digital Version
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