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    First American Art Magazine
    Home»Archives»2022»FAAM No. 35, Summer 2022

    FAAM No. 35, Summer 2022

    0
    By FAAM Staff on October 11, 2022 2022, Archives
    Avis Charley
    Cover art: Avis Charley (Spirit Lake Dakota/Navajo), “Our Days of Opulence,” 2022, oil on canvas, collection of the Eiteljorg Museum of American Indians and Western Art. Portrait of Kaa Folwell (Santa Clara Pueblo).

    Issue No. 35, Summer 2022

    Click here to purchase a digital copy for $7 from Issuu.

    To purchase a print copy, select your location:

    Locations

    Features

    • New Trajectories: Four Rising Stars to Watch
      by Staci Golar, 26–33
    • Remake the World, Remake Ourselves: The Cultural Geometry of Brian Tripp and His Circle
      by Nanette Kelley (Osage Nation/Cherokee Nation), 34–41
    • The Road to Racing Magpie: Arts Advocacy on the Northern Plains
      by Tawa Ducheneaux (Cherokee Nation), 42–48
    • A Centennial of Progress Repelling Pseudo-Indians: Santa Fe Indian Market and the Indian Arts and Crafts Act
      by Suzan Shown Harjo (Cheyenne/Muscogee), 49–51
    • Santa Fe Indian Market Through the Decades
      by Suzanne Newman Fricke, PhD, and America Meredith (Cherokee Nation), 52–58

    Artist Profiles

    • Jimmie C. Fife: Mvskoke Painter and Textile Artist
      by Stacy Pratt, PhD (Mvskoke), 64–69
    • Emil Her Many Horses: Oglala Lakota Beadwork and Quillwork Artist
      by Andrea L. Ferber, PhD, 70–75
    • Daniel McCoy Jr.: Muscogee/Citizen Potawatomi Painter
      by Matthew Ryan Smith, PhD, 76–81
    • Noreen Simplicio: Zuni Ceramic Artist
      by Miranda Belarde-Lewis, PhD (Zuni/Tlingit), 82–87

    Departments

    • Recent Developments, 18–20
    • Seven Directions | Joanna García Cherán (P’urhépecha), 22–25
    • Art+Literature | Randy Lundy (Cree)
      by Matthew Ryan Smith, PhD, 1-2–105
    • Calendar, 110–112

    Reviews & Reports

    Art Exhibition Reviews

    • Los Angeles | The Portable Universe / El Universo en Tus Manos: Thought and Splendor of Indigenous Colombia, Los Angeles County Museum of Art
      Review by Laura L. Clark (Muscogee Creek/Cherokee), 88–89
    • New York | Dakota Modern: The Art of Oscar Howe, National Museum of the American Indian
      Review by Andrea L. Ferber, PhD, 89–91
    • New York | Whitney Biennial 2022: Quiet as It’s Kept, Whitney Museum of American Art
      Review by Andrea L. Ferber, PhD, 91–92
    • Norman, OK | Ascendant: Expressions of Self-Determination, Fred Jones Jr. Museum of Art
      Review by America Meredith (Cherokee Nation), 93–95
    • Santa Fe | Nani Chacon: SPECTRUM, SITE Santa Fe
      Review by Michelle J. Lanteri, PhD, 95–96
    • Tulsa | TVLSE: Converging Indigenous Art, Tulsa Artist Fellowship Flagship
      Review by Shelley Patrick (Mvskoke), 97–98

    Reports

    • Anchorage | Far North Fashion Show, Anchorage Museum
      Report by Nadia Jackinsky-Sethi, PhD (Alutiiq), 98–100
    • Chicago | Center for Native Futures, EXPO CHICAGO, Navy Pier
      Report by Monica Rickert-Bolter (Prairie Band Potawatomi/Black), 100–101

    In Memoriam

    • Enoch Kelly Haney (Seminole Nation/Muscogee, 1940–2022)
      by Gena Timberman (Choctaw Nation), 106
    • Ardina Moore (Quapaw/Osage, 1930–2022)
      by Candice Byrd (Quapaw/Osage/Cherokee Nation), 107 
    • Olivia Skenandore (Oglala Lakota/Chicana, 1948–2022)
      by Hoka Skenandore (Oneida/Oglala Lakota/Luiseño/Chicano), 108

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