Indigenous art. Indigenous perspectives.

FAAM No. 35, Summer 2022

Avis Charley

Cover art: Avis Charley (Spirit Lake Dakota/Navajo), “Our Days of Opulence,” 2022, oil on canvas, collection of the Eiteljorg Museum of American Indians and Western Art. Portrait of Kaa Folwell (Santa Clara Pueblo).

Issue No. 35, Summer 2022



  • New Trajectories: Four Rising Stars to Watch
    By Staci Golar
  • Remake the World, Remake Ourselves: The Cultural Geometry of Brian Tripp and His Circle
    By Nanette Kelley (Osage Nation/Cherokee Nation)
  • The Road to Racing Magpie: Arts Advocacy on the Northern Plains
    By Tawa Ducheneaux (Cherokee Nation)
  • A Centennial of Progress Repelling Pseudo-Indians: Santa Fe Indian Market and the Indian Arts and Crafts Act
    By Suzan Shown Harjo (Cheyenne/Muscogee)
  • Santa Fe Indian Market Through the Decades
    By Suzanne Newman Fricke, PhD, and America Meredith (Cherokee Nation)

Artist Profiles

  • Jimmie C. Fife: Mvskoke Painter and Textile Artist
    By Stacy Pratt, PhD (Mvskoke)
  • Emil Her Many Horses: Oglala Lakota Beadwork and Quillwork Artist
    By Andrea L. Ferber, PhD
  • Daniel McCoy Jr.: Muscogee/Citizen Potawatomi Painter
    By Matthew Ryan Smith, PhD
  • Noreen Simplicio: Zuni Ceramic Artist
    By Miranda Belarde-Lewis, PhD (Zuni/Tlingit))


  • Recent Developments
  • Seven Directions: Joanna García Cherán (P’urhépecha)
  • Art+Literature: Randy Lundy (Cree)
    By Matthew Ryan Smith, PhD
  • Calendar by Liam Hart and A. Meredith
  • Exhibition Reviews
  • Reports
  • Memorials
    • Enoch Kelly Haney (Seminole Nation/Muscogee, 1940–2022)
      By Gena Timberman (Choctaw Nation)
    • Ardina Moore (Quapaw/Osage, 1930–2022)
      By Candice Byrd (Quapaw/Osage/Cherokee Nations)
    • Olivia Skenandore (Oglala Lakota/Chicana, 1948–2022)
      By Hoka Skenandore (Oneida/Oglala Lakota/Luiseño/Chicano)

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