FAAM No. 1, Fall 2023
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Features
- Top of the World Bound: Seven Pacific Northwest Coast, Alaskan, and Canadian First Nations
Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market by RoseMary Diaz
(Santa Clara Pueblo), 40–45 - Stitches in Time: The Rebirth of Southeastern Woodlands Beadwork, by America Meredith (Cherokee Nation), 46–51 | Read online
- Cultural Heritage, Art, and Living Beings: Justice Lost in Translation, by Suzan Shown Harjo (Southern Cheyenne/Muscogee), 52–55
- Colorado River Geoglyphs: Guardians of a Sacred Landscape, by America Meredith (Cherokee Nation), 56–61
Artist Profiles
- Nani Chacon: Diné-Xicana Painter and Muralist, by Suzanne Fricke, PhD (Ashenazic-American), 16–21
- Shan Goshorn: Eastern Band Cherokee Multidisciplinary Artist, by JoKay Dowell (Quapaw/Cherokee/Peoria/Eastern Shawnee), 22–27
- Dylan Miner: Métis Printmaker and Installation Artist, by America Meredith (Cherokee Nation), 28–33
- Ken Williams: Northern Arapaho/Seneca Beadwork Artist, by Teri Greeves (Kiowa), 34–39
Departments
- Contributing Writers, 6–7
- Editor’s Greeting, 8
- Letters, 9
- Recent Developments, 10–11
- Exploring Native Graphic Design: Activism and Design, by Neebinnaukzhik Southall (Rama Chippewa), 12–13
- Opinion | How Not to Write an Article on Native Artists: Advice to Journalist X, by Melissa Melero (Northern Paiute/Modoc), 14
- Opinion | Papyrus: The Power of Bad Fonts by Roy Boney Jr. (Cherokee Nation) | Read online
- Exhibition Reviews
- Albuquerque: Octopus Dreams: Works on Paper by Contemporary Native American Artists, 516 Arts, by Lara M. Evans, PhD (Cherokee Nation), 62
- Bristol: Sarah Sense: Weaving Water, Rainmaker Gallery, by Stephanie Pratt, PhD (Cow Creek Dakota), 63–64
- Norman: Hopituy: Hopi Art from the Permanent Collections, Fred Jones Jr. Museum of Art, by Denise Neil-Binion (Delaware Tribe/Cherokee Nation), 64–65
- Sacramento, Contemporary Native American Art, California State Capitol Museum, by Melissa Melero (Northern Paiute/Modoc), 65–66
- Santa Fe: The Durango Collection: Native American Weaving in the Southwest, 1860–1880, Wheelwright Museum of the American Indian, by John Torres Nez, PhD (Navajo), 66
- Santa Fe: Stands with a Fist, Museum of Contemporary Native Arts, by America Meredith (Cherokee Nation), 67–68
- Venice: Air, Land, Seed, University of Venice Ca’ Foscari, Palazzo Cosulich, by Gloria Bell (Métis), 68–69
- Report
- Seborga, Italy: Indigenous Brilliance, by Lyle Toledo Yazzie (Navajo), 69
- Book Reviews
- Beyond Geronimo: The Apache Experience, by Janet Cantley (Heard Museum, 2012), review by Yvonne N. Tiger (Cherokee Nation/Seminole/Muscogee), 70–71
- Blizzard: Emerging Northern Artists, by Candice Hopkins and Tania Willard (grunt gallery, 2013), review by Neebinnaukzhik Southall (Rama Chippewa), 71–72
- Women and Ledger Art: Four Contemporary Native American Artists, by Richard Pearce (University of Arizona Press, 2013), review by America Meredith (Cherokee Nation), 72–73
- Poetry by Duane Niatum (S’Klallam). Accompanied by One Drop by Jacob Meders (Mechoopda Maidu), 73
- Advice | Everything You Wanted To Know about Pricing and Appraising Artwork, But Were Afraid To Ask, by Corinne Cain, 74–75
- In Memoriam:
- Maria Tallchief (Osage, 1925–2013), by Denise Neil-Binion (Delaware Tribe/Cherokee Nation), 76
- George Horse Capture (A’aninin, 1937–2013), by Suzanne Shown Harjo (Southern Cheyenne/Muscogee), 77
- Carl Ponca (Osage, 1938–2013), by America Meredith (Cherokee Nation), 77
- Comic | Inner-City Southwestern Disenchantment by Daniel McCoy Jr. (Muscogee Creek-Citizen Band Potawatomi), 78–79
- Classified Ads, 80