Close Menu
    Facebook Instagram LinkedIn
    • Subscribe
    • Advertise
    • Contact Us
    Indigenous art. Indigenous perspectives.
    Facebook Instagram LinkedIn Pinterest
    First American Art Magazine
    • Home
    • About Us
      • Press
      • Distribution
      • Sponsors
      • Contact Us
      • Refund and Returns Policy
    • Current Issue
    • Past Issues
      • Archives
      • FAAM Index
    • Content
      • Articles
      • Blog
      • Reference
        • Acronyms
        • Art Terms
        • Artist and Scholar List: A–F
        • Museums, Galleries, and Other Art Venues
        • Timeline of Indigenous Art History of the Americas
    • Calendar
      • Submit an Event
    • Submissions
      • FAAM Style Guide
    • Advertise
    • Shop
    0 Shopping Cart
    First American Art Magazine
    Home»Web Content»Blog»Creating During a Planetary Pandemic | Hollis Chitto

    Creating During a Planetary Pandemic | Hollis Chitto

    0
    By FAAM Staff on April 3, 2020 Blog, Web Content
    Hollis Chitto
    Beaded medallion, 13° cut seed beads, shell, pearls, Chinese crystal, antique sequins.

    By Staci Golar

    Beadwork first captured the imagination of Hollis Chitto (Mississippi Choctaw/Laguna and Isleta Pueblos) when he was a young child. Maynard White Owl Lavadour (Cayuse/Nez Perce), a Plateau artist revered for his beautiful, beaded creations, was a family friend and Chitto says he “fell in love” with Lavadour’s work. Not long after, Chitto taught himself how to bead by studying illustrations in a book and experimenting until he got it right.

    Now it is Chitto’s beadwork that is catching the attention of collectors, galleries, museums, and publications like Vogue magazine. Visually satisfying and dazzling all at the same time, the work is infused with sophisticated designs and color palettes. Each piece exhibits impressive precision.

    Hollis Chitto
    Hollis Chitto (Mississippi Choctaw/Laguna and Isleta Pueblos), beadwork artist.

    While all of Chitto’s work can stand on beauty alone, many of his pieces also incorporate conceptual elements that communicate everything from concerns around the health and well-being of Native communities (specifically the impact of HIV) to how the Santa Fe–based artist sees himself walking through the world.

    Here Hollis shares a snippet of life during this time of surreal, mandatory shutdowns and self-isolation.

    What are you currently working on and why?

    Currently, I’m working on staying sane! Beadwork-wise I’m finishing up a couple of orders that I’ve had on the back burner for a while. I have also been completing some smaller wearable items for a lower price point for the gallery Hecho a Mano [a gallery in Santa Fe]that will soon be on their website for sale. After that, though, I’m going back to a larger project that I started three years ago. I’m hoping all this time will give me a good chance at finishing that up this year.

    Hollis Chitto
    Beaded bag with chain on antique purse frame.

    Who or what are you most inspired by right now?

    Right now I’m inspired by anyone who has the self-discipline to make structure in their day. Before this, I was working at a bead store, Beadweaver, and that gave me a schedule. I’m so much more productive at night, so I would bead after coming home from work, and knowing I had to get up early the next day would give me a stopping point. Right now I can feel myself slowly becoming more and more nocturnal.

    As news of the COVID-19 pandemic spreads, so do humorous memes that express how little shelter-in-place orders will change an artist’s day-to-day life (since many already work alone). On a more serious note, do you think this period in time has the potential to change your work if it hasn’t already?

    Miniature beaded bag with tassels.

    I think it’s definitely going to change a lot of people’s work. As far as mine, I would say I’m starting to take into consideration different price points to my work — something my dad had always gotten after me for. Beyond anything, I love working on large-scale projects but unfortunately, that doesn’t leave a lot of room for affordable options for people. Now I’m having to think of more wearable work that I would enjoy making. Along with that, I’m experimenting a lot more than I have. I’m exploring new techniques that I could incorporate into my work like pearl knotting, wire wrapping, stuff like that. I’m pretty excited to see what that looks like in the future.

    What I hope doesn’t happen is for the economic impact of this to discourage new artists. It’s going to be difficult after all of this for established artists to bounce back. I can’t imagine how those just starting out will fare. I hope they all stick with it and face the difficulty with the confidence that it will be worth it down the line. We need new art in the world.

    Hollis Chitto
    “Resplendent Quetzal,” women’s cornmeal bag with antique micro beads.

    What role do you think art can play in a time of crisis?

    Catharsis. All art is a form of release in some way, both for the artist and for the appreciator. Art allows us to express whatever emotion we need to express. What I’m saying is that there will be art expressing the struggle but I think more than that there will be art that expresses the beauty and thankfulness that we need in the world right now. That’s what people will want to see. That’s all I can do with my art at this time.

    More

    You can see more of Hollis Chitto’s wearable art jewelry at:

    • Hecho a Mano, Santa Fe
    • True West Gallery, Santa Fe
    • Instagram @hchitto, online.

    Related Posts

    Holding Space: Indigenous Baskets in Miniature

    September 23, 2025

    Southern Plains Indian Museum Reopens with New 2025 Fall Exhibition

    September 7, 2025

    FAAM Editor America Meredith Wins Prestigious Rabkin Award

    September 4, 2025
    Cherokee Art Market 2025
    Weaving Words, Weaving Worlds
    Sign up for FAAM Art Beat newsletter
    Sign up for FAAM Art Beat newsletter
    Cherokee Language Publishing
    Indigenous Editors Association
    Indigenous Editors Association
    Mission Statement

    First American Art Magazine, LLC (FAAM), broadens understanding of art by Indigenous peoples of the Americas from tribal communities to the global art world.

    Vision Statement

    First American Art Magazine, LLC, strives to foster historical resilience, cross-cultural understanding, and reintegration of humans into the natural world.

    turtleshell rattle by Tommy Wildcat

    First American Art Magazine's offices are located within the ancestral homelands of the Wichita and Affiliated Tribes and the historic territories of the Muscogee Nation and the Seminole Nation of Oklahoma.

    Contact Us

    First American Art Magazine
    3334 W. Main St. #442
    Norman, OK 73072
    (405) 561-7655

    info@firstamerican.art
    ads@firstamerican.art
    circulation@firstamerican.art

    Site Admin

    © 2025 First American Art Magazine, LLC. All rights reserved.

    Type above and press Enter to search. Press Esc to cancel.