Indigenous art. Indigenous perspectives.

FAAM No 38, Spring 2023

FAAM No. 38, Spring 2023

FAAM No. 38, Spring 2023. Cover art: “Elizah Leonard,” photograph and beadwork by Tom Jones (Ho-Chunk), 2019.

Issue No. 38, Spring 2023



  • Justice, Sovereignty, and Honor: Legacy of the Tunica Treasure
    By Stacy Pratt, PhD (Mvskoke)
  • IndigiPopX Returns!
    By Stacy Pratt, PhD (Mvskoke), and Shelley Patrick (Mvskoke)
  • State of the Art: Restoration and Reset at the Oklahoma State Capitol
    By Paige Willett (Citizen Potawatomi)
  • We Have Words for Art: The First American Art Magazine Story
    By America Meredith (Cherokee Nation)
  • Reader Survey Results

Artist Profiles

Allan Houser

Allan Houser (Chiricahua Apache, 1994–1994), “As Long as the Waters Flow,” 1989, bronze, 162 × 76 in., Oklahoma State Capitol Art Collection, commissioned by the State Capitol Preservation Commission. Photo: KS OKC (CC BY 3.0).

  • Orlando Dugi: Diné Fashion Designer and Beadwork Artist
    By Chadd Scott
  • Anita Fields: Osage/Muscogee Ceramic & Textile Artist
    By Matthew Ryan Smith, PhD
  • Tom Jones: Ho-Chunk Photographer
    By Stacy J. Platt
  • Erin Shaw: Chickasaw/Choctaw Painter
    By Michole Eldred (Catawba/Eastern Cherokee descent)


  • Recent Developments
  • Seven Directions: America Meredith (Cherokee Nation)
  • Collections: National Gallery of Canada
    By Andrea L. Ferber, PhD
  • Art+Literature:
    • Oscar Hokeah (Cherokee Nation/Kiowa): Fiction Writer
      By Matthew Ryan Smith, PhD
  • Calendar
  • Exhibition Reviews
  • Report
  • Music Review
  • Theater Review
  • Memorials
    • Tony Jojola (Isleta Pueblo, 1958–2022)
      By Paul Niemi
    • Rachel Sahmie (Hopi-Tewa, 1956–2022)
      By Steve Elmore

FAAM No. 38, Spring 2013

Digital Version

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